Eliot W. Rowlands

Worth the pilgrimage: on Francesco de Mura at Vassar College

Much of this long-neglected Baroque artist's work is lost, but what remains is worth another look

At his best, he was without error: Eliot Rowlands on Andrea del Sarto in New York

Two shows in New York focus on the achievements of the Renaissance master

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How was the Brancacci Chapel originally seen?

Florence’s early Renaissance showpiece revolutionised painting—but how was it seen, and used, at the time?