Worth the pilgrimage: on Francesco de Mura at Vassar College
Much of this long-neglected Baroque artist's work is lost, but what remains is worth another look
Not a heretic after all: on Francesco Botticini’s heavenly vision
A new book is an exemplary study of the artist
At his best, he was without error: Eliot Rowlands on Andrea del Sarto in New York
Two shows in New York focus on the achievements of the Renaissance master
How was the Brancacci Chapel originally seen?
Florence’s early Renaissance showpiece revolutionised painting—but how was it seen, and used, at the time?