Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh

Gilded gates made in Kiev (1784). Owned by the Jewish art dealer J&S Goldschmidt from Frankfurt/Berlin, and sold in in London in 1935. Acquired by the Gilberts in 1973 from S.J. Phillips, London, as coming from the Randolph Hearst collection in California. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Miniature by Paul Prieur (around 1650). Owned by Aldolph List (died 1938) of Magdeburg and sold in 1939 after he was denounced by the Nazis. Acquired by the Gilberts in 1979 from S.J. Phillips, London. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Silver beaker, Nuremburg (1603-09). Possibly owned by Alfred Pringsheim, from Munich, and if correct then confiscated by the Nazis in 1938 and returned to the family after the war. Acquired by the Gilberts from Brand Inglis, London in 1984 © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Snuffbox, with quartz sheep, Dresden (around 1755). Owned by Alphonse von Rothschild from Vienna and confiscated by the Nazis in 1938 and returned to the family in 1947. Acquired by the Gilberts in 1989 from S.J. Phillips, London as from Baron de Rothschild, Vienna © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Gold snuffbox, Dresden (around 1780). Owned in 1912 by Eugen Gutman, most of whose collection passed to his son Friedrich, who was murdered by the Nazis. Sold by Christie’s in 1983 and acquired by the Gilberts from Garrard, London in 1987. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Miniature by Carl Hurter (1791). Owned by Viktor Zuckerkandl from Vienna; his collection was either auctioned in Vienna or given to his family, many of whom were murdered by the Nazis. Acquired by the Gilberts in 1981 from D.S. Lavender, London. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Clock, Augsburg, (17th century). Owned by the clockmaker Nathan Fränkel (died 1909) from Frankfurt; much of his collection went to his family (including Friedrich and Klara Fränkel), who were later persecuted by the Nazis. Acquired by the Gilberts in 1979 from a private Milwaukee collector. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Gold snuffbox with LM monogram, Paris (1775-76). Owned by Maximilian von Goldschmidt-Rothschild, a Frankfurt banker who died in 1940, and then returned to the family in 1949. Acquired by the Gilberts from S.J. Phillips, London in 1979 © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

1/8

Gilded gates made in Kiev (1784). Owned by the Jewish art dealer J&S Goldschmidt from Frankfurt/Berlin, and sold in in London in 1935. Acquired by the Gilberts in 1973 from S.J. Phillips, London, as coming from the Randolph Hearst collection in California. © Victoria and Albert Museum. Loaned from Rosalinde and Arthur Gilbert Collection

Victoria & Albert Museum
gallery

Who owned these Jewish-owned treasures? V&A seeks clues from public

New exhibition highlights works from the museum's Gilbert Collection that have unclear provenance during the Nazi era

Martin Bailey
2 December 2019
Share

The Victoria and Albert Museum (V&A) is mounting a display of the golden treasures in the Gilbert Collection that have an uncertain provenance for the Nazi period, 1933-45. Concealed Histories: Uncovering the Story of Nazi Looting will open at the V&A on 6 December.

Assembled by London-born Arthur Gilbert and his American wife Rosalinde, the collection was amassed from the 1960s onwards while they were living in Beverly Hills, Los Angeles. It was donated to the British nation in 1996 and initially shown in Somerset House and then, from 2008, at the V&A, where it has a dedicated gallery.

The V&A has now employed Jacques Schumacher, a provenance researcher, to systematically trawl through the 1,200 items, check those that may have been looted during the Nazi period, even though a few were subsequently restituted. Eight objects presented particular issues.

All owners of the objects were Jewish, and hence the concern that some of the items could possibly have been looted or subject to forced sales. Arthur Gilbert was himself Jewish, so it is perhaps surprising that before his death in 2001 he was relatively unconcerned about these issues. But as Schumacher points out, “like many other collectors at the time, Rosalinde and Arthur did not ask questions about provenance while building their collection”.

The V&A would be grateful for any further information from our readers about the provenance of the highlighted objects; the full list can be seen at www.theartnewspaper.com.

• Concealed Histories: Uncovering the Story of Nazi Looting, V&A, London, 6 December-10 January 2020

Victoria & Albert MuseumExhibitionsNazi lootJewish HeritageArt collection
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Restitutionarchive
1 February 2000

400,000 pieces of Nazi silver loot sold by US in 1950

British and French authorities dismayed at disposals that they considered illegal

Ian Locke
Looted artarchive
1 March 1999

The National Gallery investigates wartime provenance of 120 paintings

The London gallery aims to ensure that they are not war loot and appeals for assistance in checking their recent histories

Martin Bailey
Restitutionarchive
31 August 2006

Restitution pledge by US museums remains unfulfilled six years on

Results of survey lay bare how the US fell short

Jason Edward Kaufman