In an internal memo to staff, the museum's interim director wrote that the sudden changes were made "to better align the gallery’s leadership team with the organisation’s new strategic plan"

The Winnipeg-born artist’s work spans many media and often incorporates humour all the while addressing issues of identity, repatriation and cultural consumption

Works by the finalists vying for the country’s top contemporary art prize will go on view at the National Gallery in Ottawa in October

In Philadelphia, Sasha Suda will succeed Timothy Rub, whose 13-year tenure included both major achievements and significant turmoil

A major retrospective at the National Gallery of Canada aims to make the trio's “complex practice a bit more accessible”

The new department, which pursue greater inclusivity and representation of Indigenous perspectives and art, will be led by Michelle LaVallee and Steven Loft

The prize, Canada’s largest for contemporary art, represents a C$100,000 windfall for the winner

The animal skin is a screen for a video installation that “celebrates the bear’s spirit”, and touches on climate change, Indigenous rights and decolonisation

The response in Ottawa “shows people crave experiencing visual arts in person”, director Sasha Suda says

Ontario museums have been shut for months because of surge in Covid cases this April

A major Old Master show will keep a contemporary perspective with new commissions and acquisitions

Angela Cassie and Tania Lafrenière join the institution as part of its first strategic plan

National Gallery of Canada cites use of forced labour on royal estates in wartime

The museum plans to acquire many of the works in its survey devoted to Indigenous artists

Tahitian still lifes of sunflowers are surrogate portraits of his Yellow House friend

The Ontario native is just the fourth woman to take the post, and the youngest in more than a century

A forthcoming exhibition at the National Gallery of Canada aims to show how the painter explored his own identity through his subjects

After ten years at the post, he has plenty of accomplishments, including bringing Indigenous art into the canon, and few regrets

The upgrade to the Modernist building and its surrounding landscape has resulted in a new visitor route planned for the Giardini

The rushed deaccessioning—to fund the acquisition of another work from neighbouring Quebec—raised a storm of criticism