Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Documenta 14
news

Dispute erupts over location of Kassel’s Documenta obelisk

Artist Olu Oguibe believes the city caved in to demands from the anti-immigration AfD, which opposes the monument

Catherine Hickley
24 May 2018
Share
Olu Oguibe, Monument to Strangers and Refugees (2017) Michael Nast

Olu Oguibe, Monument to Strangers and Refugees (2017) Michael Nast

After agreeing to a knock-down price for his obelisk created for last year’s Documenta, the Nigerian artist Olu Oguibe has now locked horns with the city of Kassel over the location of his work.

Oguibe says his Monument to Strangers and Refugees was specifically designed for Königsplatz (King’s Square), where it stood during Documenta, the contemporary art exhibition that takes place in Kassel every five years. This central square in Kassel is where Johann Wolfgang von Goethe was once refused a hotel room because he spoke French to the innkeeper. But city authorities have suggested giving it an alternative home on Holländische Platz, or Dutch Square, which is near the university and frequented by students and immigrants.

“The site and the work go together,” says Alexander Koch of the art gallery KOW in Berlin, who is acting as Oguibe’s spokesman. “Obelisks and kings have something to do with each other. The Dutch and obelisks, not so much.” Koch says the obelisk will be dismantled and potentially sold to another city if Kassel refuses to keep it on Königsplatz.

The city of Kassel and Oguibe launched a fund-raising campaign to buy the obelisk earlier this year, with a target amount of €600,000. They fell well short of that amount, raising just over €76,000 from private donors. An unnamed institutional donor agreed to add a further €50,000. Oguibe has accepted the price.

Koch said the city kept changing its reasons for giving the obelisk a new home, most recently saying it wanted to keep the Königsplatz spot free for future Documenta works.

Oguibe believes that city politicians have caved in to demands from the anti-immigration AfD, which opposes the monument. One AfD city politician described the obelisk as “ideologically polarising, deformed art” last year.

“The artist says he is not willing to go along with this politicisation of his work,” Koch says.

Intended as “a call to action,” the obelisk is inscribed in four languages. It reminds viewers that hospitality can save lives and repudiates the bigotry that leads to refugees being turned away in humanitarian crises.

Documenta 14Contemporary art
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Documenta 14news
11 October 2017

Kassel haggles over the price of Documenta 14's obelisk

Olu Oguibe has reportedly asked for €1m for his Monument to Strangers and Refugees

Catherine Hickley
Documenta 14news
12 October 2018

Documenta obelisk, dismantled last week, to remain in Kassel after all

Artist Olu Oguibe accepts alternative location, saying work’s humane message is urgently needed

Catherine Hickley
Documenta 14news
25 January 2018

Kassel launches funding campaign for Documenta obelisk

The work by Olu Oguibe calls for hospitality towards refugees

Catherine Hickley