Review
ArtVilnius

Get over the unpronounceable names—go east for talented, smart artists at affordable prices

ArtVilnius fair has just held its tenth edition and is building the market for ex-communist countries with long artistic traditions

Oleg Tselkov's Walk on the stand of Arty Cube of Vilnius, was among the Fair’s priciest works Simon Hewitt

The ArtVilnius fair is one of the great success stories of Eastern European contemporary art. It was perceived as a one-off when launched in 2009, the year that Vilnius was the European Culture Capital, but, operating on a shoe-string budget of around €700,000, it has become an annual event. This year it ran from 7 to 10 June, attracting 22,700 visitors to the Litexpo exhibition centre on the city outskirts.

Litexpo exhibtion centre on the city outksirts Simon Hewitt

It is run by Diana Stomienė, the president of the Lithuanian gallery association, and the boss of one of the top city galleries, Meno Nisa, where the fair’s artistic director, Sonata Baliuckaitė, is curator. Baliuckaitė denies any conflict of interest: “Galleries are happy because we participate in other international art fairs and know what’s needed”. ArtVilnius is sponsored by Lithuania’s culture ministry and the city of Vilnius, whose mayor, Remigijus Simasius, believes that it would be difficult to imagine life in Vilnius without certain annual events and “ArtVilnius is one of them’’.

Painting and figurative art feature more prominently than in many fairs. To Simona Jurčiukonytė, a student at the Vilnius art academy, the fair is “a bit traditional and unadventurous”. To others, however, this is its strength. Sasha Shchelushenko of Tsekh Gallery in Kiev has sold so well with his intricate drawings by Ievgen Petrov that he has opened a subsidiary gallery in Vilnius, and now divides his time between Ukraine and Lithuania, where, he declares he is targeting “bigger fish”.

Petrov’s Grey Predators (2015) added a three-dimensional element to Tsekh’s stand this year Simon Hewitt

Karavan Gallery from Paris is another ArtVilnius regular, displaying photographs, sculpture, video and works on paper. The gallery sold around ten works this year for just over €7,000 in all. “Most locals are daunted by any price over four figures”, says the gallery's owner Shalva Khakhanashvili (total sales at this year’s fair were a reported €350,000.)

Other foreign exhibitors cater to the local market by bringing Lithuanian artists. Thorkild Nielsen, of Denmark’s NB Galleri, returns each year with psychedelic canvases by Vilmantas Marcinkevicius. Kovcheg of Moscow bring abstract works by Vigintas Stankus .

These five pieces by Vigintas Stankus, each around 40cm tall, were on offer at €500 apiece Simon Hewitt

Fifty-four galleries from 11 countries were present, the majority from the Baltic States, followed by neighbouring Poland, Russia and Belarus. Two of Riga’s top galleries made an impact: Tifana with an exuberant Aija Zarina solo show, and Alma with Ivars Drulle’s solo project To My Homeland.

Aija Zarina's solo show at Tifana's booth Simon Hewitt

Haus Gallery from Tallinn, one of five Estonian galleries, displayed Maarit Murka’s striking 2017 painting Out of Context.

Maarit Murka, Out of Context (2017) Simon Hewitt

The presence of foreign galleries has benefited the local scene, says Diana Stomienė. “Lithuanian galleries are working better and better every year”, she says. They are also becoming more varied. Stomienė’s Meno Nisa Gallery set the pace this year with a four-wall video by Rimas Sakalauska, while Offering (2018), a stuffed, pearl-clad, young wild boar, by Danielius Sodeika & Birute Sodeikaite, caused consternation at Kauno Langas gallery.

Danielus Sodeika & Birute Sodeikaite, Offering (2018) Simon Hewitt

The famous Russian non-conformist artist Oleg Tselkov added kudos to the stand of Arty Cube of Vilnius with his large pink and green Walk, among the fair’s priciest works.

Young Lithuanian artists were shown by the National M.K. Čiurlionis School of Art, where Austeja Mankeleviciute’s wax and paraffin composition Jungtis (2018) caught the eye.

ArtVilnius also included a section devoted to large-scale, non-commercial projects. Every year a crowd-pleasing highlight is an installation by the Stuttgart-based, Lithuanian-born kinetic artist Kestutis Svirneli. A many-armed inflatable, resembling a giant centipede, was his 2018 contribution.

Kestutis Svirnelis's installation at ArtVilnius Simon Hewitt

ArtVilnius runs a city-wide gallery night during the fair, which this year expanded from 15 to 20 venues, including Vartai (Lithuania’s best-known gallery internationally does not take part in the fair). Meanwhile the National Gallery was hosting “artworks and soundtracks” from the local Lewben Art Foundation, while the Contemporary Art Centre staged the Lithuanian leg of the Baltic Triennial (until 12 August).

The next Vilnius contemporary landmark to open, on 18 October, will be the swanky new MO Museum, which hosts the 4,000-work collection of Viktoras and Danguolė Butkus.