Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
News
archive

The Uffizi’s “Wounded warrior” is a Greek original

It was previously believed that the statue was a copy

The Art Newspaper
30 September 1992
Share

Florence

While examining the Uffizi’s collection of statues in the course of a restoration programme of the classical examples, Luigi Beschi realised that the statue of the wounded warrior was an unrecognised Greek original from the classical period. He detected an inscription of Kleomenes on the figure’s clothing, obscured by a dense network of incisions. The statue is known to have been in Florence from the sixteenth century onwards and is documented as being in the Uffizi from 1676, but was always throught to have been a copy of a Greek original. The statue will from now on be displayed in the Sala delle Niobe; the reattribution is documented in the publication Statua del guerriero ferito. Storia, prospettive esegetiche, restauri, published by Centro Di.

NewsSculptureRestorationGreekClassical Antiquity
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Sotheby'sarchive
30 June 1992

Sleeper found at Sotheby's found to be genuine fifteenth-century sculpture

Very few bronzes survive from this period, making the piece a remarkable find

The Art Newspaper
Restorationarchive
30 September 2000

Less is more with Lauder restoration

Several works subject to restoration paid for by Estée Lauder

The Art Newspaper
Restorationarchive
1 June 1992

Banca Toscana to sponsor restoration of Cimabue’s altarpiece “Maestà”

The structure that replaced the wooden support has caused the 13th century Madonna to rupture

The Art Newspaper