The ongoing Covid-19 pandemic appears to have little impact on auctions in Asia as Sotheby’s delivered a HK$684.1m (US$88.2m) live-streamed contemporary art evening sale in Hong Kong last night—the highest total for a various-owner contemporary art sale at Sotheby’s Asia.
The 34-lot auction—which was 92% sold by lot—was topped by Gerhard Richter’s 1987 painting Abstraktes Bild (649-2), bought by The Pola Museum of Art, a private museum in Hakone, Japan, for HK$214.6m (US$29.2m). That is nearly double the pre-sale estimate and makes it the most expensive western work of art ever sold at an auction in Asia.
Sotheby's has been bringing more and more western art to its sales in Asia in recent years, this time accounting for half of the lots presented—the biggest proportion of western art featured at a Hong Kong evening sale.
Marlene Dumas's Die Baba (2) Courtesy of Sotheby's
During the postponed Hong Kong spring auction series back in July, David Hockney’s 30 Sunflowers (1996) was the top lot of Sotheby's HK$595m (US$76.7m)contemporary art evening sale, selling for HK$114.8m (US$14.8m). That means that, following the sale of the Richter last night, the top four prices of western works ever sold in Asia have been realised at Sotheby’s auctions.
Last night, six of the top 10 lots were by western artists. Following Richter’s piece came Banksy’s seven-metre wood panel work Forgive Us Our Trespassing (2011) which made just over HK$64m, more than double the pre-sale estimate. Meanwhile, Adrian Ghenie’s abstract painting Lidless Eye (2016 - 2018) was sold for HK$54.9m (US$7m), the third most expensive work.
Francis Bacon’s small painting Study for a Portrait (1979), which made the artist’s auction debut in Asia, was sold for more than HK$37.6m, within pre-sale estimates. It was also the first time a work by Marlene Dumas appeared in a sale in Asia, as Die Baba (2) (The Baby (2)) (2005) sold for HK$24.3m, slightly above the estimate.
Liu Wei's Banana (1995), which fetched HK$21.3m Courtesy of Sotheby's
Works from the veteran Hong Kong dealer Johnson Chang’s collection of Chinese contemporary art were also among the top lots, with Zhang Xiaogang’s triptych The Dark Trilogy: Fear, Meditation, Sorrow (1989-1990) selling for HK$54.9m, sharing the third top price with Ghenie’s work. However, another work by Zhang, Bloodline-Big Family: Family Portrait (1998) from his signature Bloodline series, was not sold. Other works sold from this collection included Zeng Fanzhi’s Mask Series No.11 (1994), which was sold for HK$23.7m, and Liu Wei’s Banana (1995), which fetched HK$21.3m, more than double the pre-sale estimates.
The sale also set another artist record for Hong Kong's Firenze Lai after July's sale. Her painting, The Colleagues (2017), fetched HK$3m (US$410,790).
Last night's auction was also the first live-streamed sale from Hong Kong, with bidding via phone banks from staff in London and New York. While the staff sitting in the Hong Kong salesroom were donning masks in the auction house’s signature blue and separated by transparent petitions, their counterparts in New York and London did not wear masks but kept a significant distance from each other. Meanwhile, Christie's chose New York to hold its 20th-century sale last night — read more about that here.
