Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
US politics
comment

Comment | What is the role of art museums in times of civic stress?

Museums and cultural organisations must embrace our vital role in bringing people together, whether friends or strangers

Mary Ceruti
9 March 2026
Share
A march against federal immigration enforcement in downtown Minneapolis on 23 January, a day when most art spaces in the city (including the Walker Art Center) were closed in solidarity Photo by Chad Davis, via Flickr

A march against federal immigration enforcement in downtown Minneapolis on 23 January, a day when most art spaces in the city (including the Walker Art Center) were closed in solidarity Photo by Chad Davis, via Flickr

For the second time in six years, Minneapolis is enduring heartbreak. Operation Metro Surge, as the federal government has deemed its increased immigration enforcement, has had significant impacts on artists, and our staff, visitors and broader communities. Many in the Twin Cities (Minneapolis and St Paul) have been sheltering in place, regardless of immigration or citizenship status, fearing the possibility of being stopped, potentially at gunpoint, and detained. Many schools have shifted to virtual or hybrid learning to try to ensure students don’t fall further behind. Amid the uncertainty, Minnesotans have courageously shown up—and stood up—for their neighbours.

At the Walker Art Center, this moment has only deepened our longstanding commitment to providing a welcoming, civic space for all people—one that is grounded in dignity, respect and care. Museums and cultural organisations must embrace our vital role in bringing people together, whether friends or strangers. This work is essential to building the connections that bind us in a shared sense of community. It is perhaps no surprise that in Minneapolis, where people actively engage with the arts, we have been able to stand together with resilience in the face of violence and loss.

Over the past weeks, we have kept our doors open, inviting people to convene in our galleries, our cinema and theatre, and our art-making lab. We have screened films, hosted the poet and activist Layli Long Soldier, and offered beading workshops led by Indigenous makers in conjunction with the exhibition Dyani White Hawk: Love Language. Our learning and engagement team has assembled more than 1,000 art-making kits for distribution through after-school programmes and are working directly to reach affected families. These are among the examples of what we have offered our communities in this time—and what we will continue to offer in the weeks to come.

Connecting with art and with others helps us process painful realities, and find critical moments of respite, and also wonder, in challenging circumstances

Art helps us find hope and inspiration

We see this work as a crucial way we can contribute to our collective health and healing. Connecting with art and with others helps us process painful realities, find hope and inspiration, reduce the sense of loneliness, and find critical moments of respite, and also wonder, in challenging circumstances. This is central to our mission and to our values—and to the benefits we provide the public and our city.

As importantly, on 23 January—a day Minnesota labour and faith leaders called for a general strike titled A Day of Truth and Freedom—we closed our doors, to support our staff, to support our partners and to support our communities. While we believe firmly in the value of remaining a constant place of refuge and solace, we also recognise that sometimes showing up means shutting down. We are proud to have supported the Twin Cities by closing that day and have been proud to reopen and remain open since that day. On 24 January Alex Pretti was killed. That evening, we presented Nile Harris’s performance work this house is not a home, allowing those who wished to gather to do so. The house was filled with a sense of commitment and resilience.

US politics

Museums and galleries in Minneapolis join citywide general strike in protest of Ice operations

Benjamin Sutton

It is not enough, however, for us to be present in times of community crisis. Our ability to fulfil our mission and civic responsibilities is only as good as the sense of welcome, comfort and trust that we instil in those we are trying to reach. To do so, we must acknowledge the lived realities of our neighbours and constituents and respond in relevant ways. Over many years, and especially in the past six years, the Walker has invested in building meaningful partnerships with community organisations. These include artist and educator residencies, curatorial mentorships and co-production of programmes. It is these reciprocal relationships that make the museum an integral part of the life of our city.

Museums have not always been considered spaces of community welcome, but at least since the Covid-19 pandemic and the racial reckoning that was sparked by the murder of George Floyd in 2020 here in Minneapolis, our field has increasingly focused on creating inclusive, social places. As our society becomes more polarised and fractured, it is urgent and imperative that we, as museums and civic institutions, evolve to be responsive to our communities, fostering care and cultural connection through art.

  • Mary Ceruti is the executive director of the Walker Art Center
US politicsMuseums & HeritageWalker Art CenterLeaders
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Leaderscomment
5 May 2025

Comment | Losing federal funding for emergency heritage conservation in the US is a disaster

The Foundation for Advancement in Conservation’s National Heritage Responders programme has channelled federal funding and support from local organisations to help communities struck by natural disasters to preserve their culture

Lissa Rosenthal-Yoffe
Leaderscomment
31 May 2024

How artists are uniting to defeat Donald Trump at the polls

The Artists For Democracy 2024 project is working with world-renowned artists including Shepard Fairey and Carrie Mae Weems to mobilise voters

Rio Tazewell
Leaderscomment
6 November 2025

Comment | As the US’s 250th anniversary approaches, museums must keep pushing the American story forward

The Phillips Collection was founded amid a president’s calls for a return to “normalcy”, and today the museum is addressing a city and a country grappling with a similar dynamic

Jonathan P. Binstock
Chinacomment
24 February 2020

Where is the West? Art world should be supporting China during coronavirus crisis

Our beleaguered art colleagues need our help and we must not turn our backs on Chinese art institutions, says Philip Dodd, head of Made in China

Philip Dodd