As Black History Month begins in the US, arts administrator and historian Tsione Wolde-Michael gives three key points for institutions to consider

New York City law now requires information about salary ranges in job descriptions—a welcome change for fellow art workers, say Tom Finkelpearl and Pablo Helguera

Professor Ken Arnold, co-curator of the Medicine Man display that was considered "racist, sexist and ableist", on the recent controversy

Gabriele Finaldi responds to criticism over the gallery's proposed redesign for the Sainsbury Wing

Architecture critic Hugh Pearman argues that the gallery is making irreversible changes to a Grade I listed building—while removing most of its early Renaissance collection from display until 2025

Arts Council England are due to announce its regularly funded National Portfolio organisations this October, in line with a new strategy

The museum built deep community engagement in real time following the killing of Breonna Taylor in 2020

'Brave Ukraine' event—presided over by Christie’s and held at Tate Modern—shows a cultural crowd keen to distance itself from the oligarchs it once wooed

A forthcoming Supreme Court hearing in a case relating to a Warhol work that used a photographer’s portrait has potentially huge implications for copyright claims

Russian repression of the Ukrainian state has always been met with great resistance—this time is no different, says Maria Shust is the director of the Ukrainian Museum in New York

Art workers in the war-torn country have created a territory of hope amid the terror of war

The Netherlands needs to collectively examine how its past has shaped today's society, says the director of the Amsterdam museum

While the West continues to grapple with its colonial past, institutions from Togo to Cairo are creating more expansive models to celebrate art

The great plagues and wars of the past were followed by dramatic changes in the arts—the same will happen again, says the conceptual artist

Philip Tinari, the director and CEO of the Chinese museum, shares what the institution has learned during closure and its future plans

Our beleaguered art colleagues need our help and we must not turn our backs on Chinese art institutions, says Philip Dodd, head of Made in China

The Serpentine Galleries' artistic director will reduce his flying 'very significantly' as the London institution goes green to mark its 50th anniversary

"Art" is a loaded term, freighted with associations of class and power

The uncovered figure changes the composition of Girl Reading a Letter at an Open Window

To prevent similar high-profile losses in the future, the Met should hire a permanent, full-time provenance curator

London's National Portrait Gallery director on the way cultural institutions engage audiences and measure success

The British Museum's ownership of the statues is only guaranteed within the UK—things get more complicated on an international level

Thanks to an austerity-induced accounting trick, lottery funding is replacing taxes

The rise in popularity of the green vegetable mirrors that of contemporary art

Unless the Art Gallery of New South Wales begins to focus more on exhibitions, there is every reason to believe that Sydney Modern will be a gigantic and costly flop

The 100th anniversary of Austrian artist’s death has arrived just in time for the #MeToo movement

The V&A acquired a fragment of London's Robin Hood Gardens before it was demolished

The complex issues behind returning cultural goods to their place of origin

Suddenly, a lot of money is flowing through the kingdom for the promotion of contemporary art and culture

Putting aside museum ethics, Martin Gammon looks at the financial viability of museums deaccessioning their collection as a quick fix for financial trouble