While the West continues to grapple with its colonial past, institutions from Togo to Cairo are creating more expansive models to celebrate art

The great plagues and wars of the past were followed by dramatic changes in the arts—the same will happen again, says the conceptual artist

Philip Tinari, the director and CEO of the Chinese museum, shares what the institution has learned during closure and its future plans

Our beleaguered art colleagues need our help and we must not turn our backs on Chinese art institutions, says Philip Dodd, head of Made in China

The Serpentine Galleries' artistic director will reduce his flying 'very significantly' as the London institution goes green to mark its 50th anniversary

"Art" is a loaded term, freighted with associations of class and power

The uncovered figure changes the composition of Girl Reading a Letter at an Open Window

To prevent similar high-profile losses in the future, the Met should hire a permanent, full-time provenance curator

London's National Portrait Gallery director on the way cultural institutions engage audiences and measure success

The British Museum's ownership of the statues is only guaranteed within the UK—things get more complicated on an international level

Thanks to an austerity-induced accounting trick, lottery funding is replacing taxes

The rise in popularity of the green vegetable mirrors that of contemporary art

Pledge comes at a time of decline in arts subjects in schools

Unless the Art Gallery of New South Wales begins to focus more on exhibitions, there is every reason to believe that Sydney Modern will be a gigantic and costly flop

The 100th anniversary of Austrian artist’s death has arrived just in time for the #MeToo movement

The V&A acquired a fragment of London's Robin Hood Gardens before it was demolished

The complex issues behind returning cultural goods to their place of origin

Suddenly, a lot of money is flowing through the kingdom for the promotion of contemporary art and culture

Putting aside museum ethics, Martin Gammon looks at the financial viability of museums deaccessioning their collection as a quick fix for financial trouble