Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Venice Biennale 2026
preview

Su Xiaobai's Venice exhibition melds Chinese lacquer with European abstraction

Lacquer paintings by the Chinese-German artist, whose foundation launches a curatorial residency in Shanghai this year, go on display at a collateral biennale event in a 15th century palazzo

Georgina Adam
11 May 2026
Share
Installation view: Su Xiaobai's Alchemical Universe, Palazzo Soranzo Van Axel, Venice (9 May - 22 November 2026). 

Courtesy Su Xiaobai Foundation. Photo © Marco Cappelletti/Marco Cappelletti Studio

Installation view: Su Xiaobai's Alchemical Universe, Palazzo Soranzo Van Axel, Venice (9 May - 22 November 2026).

Courtesy Su Xiaobai Foundation. Photo © Marco Cappelletti/Marco Cappelletti Studio

The Chinese-German artist Su Xiaobai was advised in 2003 by Gerhard Richter to abandon oils and concentrate on his explorations of lacquer, according to Stephen Little, curator of Asian art at the Los Angeles County Museum of Art (Lacma). Su took that advice, and now only works in lacquer, sometimes using immense quantities of the tree sap to produce contemplative works that form a bridge between Chinese artistic traditions and European abstraction.

Alchemical Universe at the Palazzo Soranzo Van Axel in Venice features 35 works by Su, from his early lacquer experiments to recent paintings created especially for Venice. One of the collateral events of the Biennale and curated by Little, the exhibition is designed by the architect Kulapat Yantrasast and fills the historic rooms of the 15th century Cannaregio palazzo. The exhibition produced in collaboration with Lacma.

Su Xiaobai in his studio

© Su Xiaobai Foundation, 2026. Courtesy of Su Xiaobai Foundation

Su’s preferred format is square, and his works are formed of layers upon layers of lacquer, sometimes scored or abraded, and then recovered with veils of more lacquer. One room is devoted to a forest of suspended squares, temple tiles lacquered in deep maroon; another displays works on the floor, apparently floating above a “sea” made of mirrored Murano glass. A series of small monochrome works in blacks and greys subtly evoke classical Chinese ink paintings, while others show colour seemingly etching the lacquered surfaces.

As an artist rooted both in Chinese and Western techniques—Su divides his time between studios in Shanghai and Düsseldorf —he melds both traditions, bringing a Chinese aesthetic to Western abstraction. In 2024, a foundation was established to preserve and promote his art. This year, it is launching a Curatorial Residency in Shanghai in collaboration with the University of Southern California’s Roski School of Art and Design, providing annual funding for selected residency candidates.

  • Su Xiaobai's Alchemical Universe, Palazzo Soranzo Van Axel, Cannaregio 6099, Venice, 9 May - 22 November 2026

Subscribe to our daily newsletter

Venice Biennale 2026Lacquer Chinese contemporary art
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Gerhard Richteranalysis
10 June 2019

Gerhard Richter: a buyer's guide

As a major retrospective on the artist is due to open at the Met Breuer in New York next year, we look at the German artist's market

Georgina Adam
Booksreview
1 April 2022

Latest volume of Gerhard Richter catalogue raisonné presents the contemporary German master’s vast, vivid output

Sixth book explores the artist’s oeuvre, from the Cologne Cathedral window in 2007 to his last sculptures in 2019

Alexander Adams
Art Basel in Hong Kong 2024preview
28 March 2024

Forbidden City and Versailles are brought together in Beijing exhibition

Show focuses on the golden age of collecting between France and China in the 17th and 18th centuries

J.S. Marcus
Jean-Michel Basquiatarchive
30 September 2006

Martin Summers reveals his Jean-Michel Basquiat collection

Treasures from behind the secret door

Georgina Adam