Louisa Buck
Louisa Buck is the contemporary art correspondent at The Art Newspaper
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Artist transforms the space into an opulent environment, with readings from Nova Scotian ghost stories
She talks to The Art Newspaper about the natural world, working with children, the relationship between cooking and art, and why standing for a nation is always problematic
The Art Newspaper team guide to some of the best things to see at this year's Venice Biennale
Custard and cream coloured sculptures retain some humour and bawdiness, but works by the former Young British Artist are more poignant than provocative
The YBA promises a bawdy mix of high and low culture, loo-paper meets bronze, in a show that is "classic Sarah Lucas" yet “very Casanova”
Wolfgang Tillmans’s Venice work explores architectural details, grand and humble, from 37 countries
The artist is taking part in Manifesta 10, despite the country’s anti-gay laws
Since retiring from teaching at the Slade school after 40 years, the sculptor has found her large, site-specific works in great demand—not least at Tate Britain
Younger and less recognised artists were the order of the day
A pair of Hume’s swing doors mark the start of his Tate Britain show. But what lies beyond?
The New York Dealers Alliance attempted to bar its exhibitors from future editions of Nada should they also take part in Untitled
“The work has no metaphor: it is what it is”
Visitors to Parreno’s Beyeler show get a copy of his “black garden” film. The DVD will expire but the plants live on
The artist’s solo show at the Beyeler this month includes new films starring a black garden and a robotic Marilyn Monroe
Ackroyd & Harvey have fused nature and engineering to mark London 2012’s legacy and the Olympic Park’s hidden history
Is Deller the best artist whom collectors rarely buy? And why is he showing in London, a city he tries to avoid?
With a biennial, two shows and a knitwear range on the go, Liam Gillick talks about the lasting effect of his Goldsmiths years
Two new artists and an old favourite make the cut
