The digital works can be seen as just the latest overhyped trend, or the newest incarnation of using technology to create art

A lasting change of the coronavirus pandemic might be how shows are viewed

How will the experience of art collecting change after the coronavirus pandemic?

Should we mourn the loss of art that was only made to be destroyed?

From Smithson’s Spiral Jetty to a mordant Trump nutcracker figure

Does the imperial collection really include a mirror of wisdom, a sword of valour, and a jewel of benevolence gifted from the gods?

Ahead of the painting's sale, the art historian Noah Charney asks whether the pricey work is a true lost treasure or one of scores made by Caravaggisti

The world is full of wonderful artists, but not all their names are known, and fewer are remembered

Noah Charney examines how historic buildings that were needlessly destroyed can live on today

Noah Charney explains how mythological clues can lead us to real findings

Noah Charney on the potential problems and fascinating details behind these little-known and under-studied objects

Noah Charney on works that are “extant but inaccessible”

Noah Charney on amazing works that were always meant to be temporary

Noah Charney on the work that was the target of 13 different crimes

Noah Charney on the Sadnikar family's extremely personal collection in Slovenia

Noah Charney on the Carabinieri's efforts to track down the stolen painting

Noah Charney on how epic histories became mythical stories

Noah Charney on works that we cannot see, but which remain as an influence to those who did see them

Noah Charney on the hundreds of works that were described those who saw them as wondrous, but which were only ever meant to be temporary

Noah Charney on works that were more influential to history than those that survive

Noah Charney shares the stories behind some of art history’s most important works—those that we can no longer see