The Art Newspaper
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Photography and video art at Castello di Rivoli
The exhibition features works made from Carrara marble and placenta
Canon Photography Gallery, Victoria & Albert Museum
University of Michigan Museum of Art
At the close of the century, Tate Modern looks back at one of the biggest names in 20th-century art
Tate Britain looks at landscape painting in the US, 1820-80
Talking about his readymades and his most complicated work “The large glass”, now in Philadelphia, Duchamp reflects on how little he meant to people in the late Fifties, when the painterliness of Abstract Expressionism ruled
This remarkable photographic collaboration depicts Saville pushing her body against a pane of glass
Launched at the height of the internet boom in 1999, it has to date received $24 million of capital funding
The small firm's success lies in their acquisition of big-name artists
The company has a website and you can browse through all the work but can not buy online.
Yale Center for British Art, New Haven
Blow is back in Cornwall with a bright new crop of works
“The Lands Within Me: expressions by Canadian artists of Arab origin" postponed following 11 September attacks
Catastrophe strikes as restorers use routine conservation method
The German master of the mythical and grandiose puts on a large-scale overview show
It became apparent that hosting the imminent art fair would be unfeasible due to shipping and insurance issues
This exhibition on the Victorian nude reveals our own obsession with sex
Highlights of the collection are starting a world tour with a stop at the Nationalgalerie
“The forgeries business is in full swing”
Erwitt’s wit at HackelBury, Israeli environmental views at Andrew Mummery and delightful Doisneau at Hoppen
The exhibition, which would have highlighted the creative flourishing facilitated by members of Iranian royalty, may still become a reality in 2004 or 2005
The Castello di Rivoli again plays host to Deitch's explorations of contemporary art
Sir Robert and Lady Sainsbury's personal connection to Giacometti meant the committee had no trouble engaging lenders
On view at the National Portrait Gallery, London
The exhibition will mark the 65th anniversary of the arrival in Spain of the International Brigades
V&A in search of global partners
Minority owner sells stock, then buys it back to acquire company
A Rothko double-header at PaceWildenstein and Washburn, Lichtenstein’s brushstrokes legacy at Mitchell-Innes & Nash while Gagosian installs “Brushstroke” at the Seagram building Plaza