After Tate resisted the release of the sums paid for Ofili's 'The Upper Room', Tate will now more often disclose the price of works bought from artist-trustees.

However, this controversial exhibition at the Olympia Fine Art Fair might boost her posthumous profile

The publication is interpreted by William St Clair to be the result of efforts to protect the institution's reputation

Van Gogh fakes controversy continues

St Clair demands greater candour in the fallout of Lord Elgin and the Marbles' third edition, in which it was asserted that over-cleaning had irreparably damaged the marbles

"There is room for uncertainty around the edges"

The museum has been widely criticised by Californians for indirectly condoning the company's exploitation of addiction

To resurrect or not to resurrect Dresden’s Frauenkirche, which has been left in ruins as a slowly decaying war memorial