The Tate and the Walker Art Center collaborate to show Arte Povera 1962 to 1972, from five years before the movement was defined by its impresario, Germano Celant
The expansive exhibition is on now at Palazzo Zabarella
The Museum of Contemporary History provides historical explanations for why war photographers took the pictures that they did
The director’s new scheme of quarterly changes will show more than just the work of local artists
Unsettling excesses at Stephen Friedman and various ponderings on places and no-places at Milch, Corvi Mora, Timothy Taylor and Emily Tsingou
Epic list-making at Gagosian and a sombre investigation of society at the Lisson
A weak exhibition that attempts to survey the Victorian legacy is partially redeemed by the accompanying book
Director James M. Bradburne is a passionate believer in new technologies
For his exhibition at the Serpentine, the conceptual artist has made an installation of art from the Victoria and Albert Museum and left its message open
Paint analysis suggests that "Woman at a virginal", which is in private hands and has been dismissed for 50 years, may be by the master
Wounded archaeology
A vast, nine section exhibition: What the critics said
Tate lends Bacon works on paper for comparison with disputed works but comparative photos of Tate works are not allowed
Unfortunately this excellent showcase of the master of landscape has been overlooked due to its lack of catalogue
(Tate Publications, London, 2000), 216 pp, 74 b/w ills, 116 col. ills, £19.99 (pb) ISBN 1854372483
Cities provide the context for many of the 20th century’s most important innovations, but are also environments in which literature, music, art and thought merge, split or collide with one another. Tate Modern’s first major exhibition since opening ambitiously comprises nine sections, 13 curators and 1,500 works spread over two floors. The display combines the scale and global scope of an international biennial with the historical perspective of art’s most varied century
A second exhibition of Barry Joule’s collection, left to him by Francis Bacon his former neighbour, is still a matter of dispute with the Bacon Estate
Women’s studies blended with the media biography and botanical illustration
“The Art of Star Wars”, National Museum of Photography, Film and Television, Bradford, until 29 April 2001
Artistic exchange to take place next year
Louisa Buck’s choice of London contemporary galleries
Director explains how London’s most popular new tourist attraction set its exhibition policy
The artist talks about truncation in art and life as his show opens at White Cube2
Russia’s first Andy Warhol exhibition has opened at the State Hermitage Museum
Dresdeners at White Cube2, Anselm Kiefer at D’Offay
Decorative arts flagship seeks captain who believes in its contents and curators
Iconic interiors at Gagosian, pucker and slide at Mummery, some great British grub at Holdsworth, painterly lavatory walls at Anthony Reynolds, strange girlish doodles at Cabinet, while Vic Reeves turns artist at Percy Miller
Riley was heavily involved in the curation of this exhibition alongside Paul Moorhouse
A doctor in a remote village in the Congo, part of Dr Rau's thousand-strong collection is on display now in Paris.