Funding
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No go for the V&A Libeskind
“Lucian Freud: Some New Paintings” is on show until 26 July
Following thefts, Tate receives funds to repurchase works stolen in Frankfurt
But Victoria and Albert Museum’s £23m British Galleries project sent back to the drawing board
Record giving approached £1bn across the continent
Income from tickets represented about double the average weekly level of voluntary contributions.
The Becket casket and Guercino are just two works of art saved for Britain with money from a Hong Kong lawyer
Financial problems for decorative arts museum launched last November
The museum has been widely criticised by Californians for indirectly condoning the company's exploitation of addiction
It has been well received in Britain. In Los Angeles, there are divided opinions on the collection and its owner
If the State relinquishes its responsibility for funding culture, art will be restricted by private patronage, the letter argues
V&A in brave act of patronage
A museum of chaos to make men marvel
V&A tackles Britain head-on
Culture minister proposes new heritage institution funded by public membership
New structure will showcase contemporary crafts
Keep British archaeology great
Russia’s Deputy Culture Minister speaks about the need to establish a new cultural identity in the new Russia
The study shows an increasing and successful reliance on non-government support in this time of limited funding and frozen resources
Tax mandates pertaining to the acquisition of art will be eased for both donors and foundations
One spectacular example is the Hotung Gallery in the British Museum, funded through £2 million from the Hong Kong businessman Joseph Hotung
The Spanish savings bank, had an operating budget of $67.64 million in 1993, of which $11.87 million was spent on visual arts projects
France's culture budget will see a 2.5% drop in real terms next year
Arts sponsorship is increasingly associated with marketing concerns rather than disinterested corporate philanthropy
Admical offers a number of explanations as to why figures have declined
The tobacco giant remains one of the most important private funders of the arts in the US
James Joll of the international media giant Pearson plc explains the who, what, why and quid pro quo of corporate involvement in the arts
In exchange for the monetary support the car company will provide, all ICA branding will include their logo
UNESCO threaten to de-list the building if central and regional governments refused to cooperate
Holland will not be participating in the Biennales of Sidney and São Paolo as a result