Kirkeby speaks to The Art Newspaper about making space in the Duveen galleries and the influence (or lack thereof) of geology and Jung
This exhibition shows Bonnard as a painter wholly in touch with the twentieth century and examines the relationship of his work to his wife and model, Marthe
Exhibition opens 12th February with around 300 works on view
The Tate Gallery proposes the origins in British art of Symbolism, the Royal Academy investigates fairies, while Manchester presents women Pre-Raphaelites
With modern foreign art to be displayed at Bankside, opinion within the Tate differs as to how the story of British art should be told
Sir Edwin Manton, an American-based insurance executive, has donated £7 million ($11.2 million)
Riley speaks of the fortuitous events that led to the upcoming exhibition at Tate and the significance of Mondrian's artistic evolution
But Victoria and Albert Museum’s £23m British Galleries project sent back to the drawing board
The sculptor discusses his new work as he installs his first solo show in England
The artist’s daughter, now eighty-seven, reminisces about being painted by her father and life in Weimar Berlin
£20,000 for thirty-year old Scotsman
In Britain, official papers are revealed after thirty years. The Art Newspaper was ready and waiting to see what was—and what might have been
The works are from the Oppé collection and Janet Wolfson de Botton
The new exhibition displays over 250 works in a journey around the art inspired by the eighteenth-century infatuation with Italy and antiquity
Wonnacott's portrait of John Major is on view at Agnew's
Memorably described by Robert Hughes, the art of Leon Kossoff can be seen in London this month
A successful show, with record attendance of 409,000 visitors
Austrian industrialist Joseph Froehlich is loaning major works of German and American art to the museum while Friends of the Tate contribute several new gifts
After much controversy surrounding the archives release, Sir Alan Bowness releases part of the archive to Tate
International group of conservators consider the problems posed by the conservation of modern sculpture
Dynasties, a big show of Tudor and Jacobean painting, demands considerable intellectual input from the visitor
Criticism from the Spanish architectural world as the museum launches huge open competition for its new extension
White Cube and the Tate Gallery are showing Quinn's self-portraits as Annely Juda marks the end of WWII
An installation by Matthew Barney inaugurates a programme of innovative contemporary art long planned by Serota
Architectural theorist Jehuda Safran discusses the merits of Herzog and de Meuron
University College, Oxford, has commissioned R.B. Kitaj to paint a portrait of President Clinton (a former Rhodes Scholar) for the school’s Great Hall, but the honour hardly compensates for the American expatriate's treatment at Tate
Are we right to be so admiring of the work currently exhibited at the Tate
A broadly chronological approach with thematic rooms addresses Surrealism, emotion, and history painting