Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Art market
news

Artemisia Gentileschi, Michelangelo and Rembrandt bring new energy and records to New York's Old Masters sales

The week's sales also saw a near-record for a Canaletto painting and a seven-figure result for a 15th-century Hebrew illuminated manuscript

Carlie Porterfield
6 February 2026
Share
Artemisia Gentileschi's Self-Portrait Courtesy Christie's

Artemisia Gentileschi's Self-Portrait Courtesy Christie's

The Old Masters auctions in New York saw notable results this week, with new records set for artists including Artemisia Gentileschi, Michelangelo and Rembrandt, while also bringing historically significant works—some fresh to market or newly restituted—into public view.

Old Masters

US National Gallery of Art acquires important Artemisia Gentileschi painting

J.S. Marcus

Christie’s Old Masters auction on Wednesday fetched a $54.3m with fees, the highest total for a New York sale in the category in more than a decade. One of Artemisia Gentileschi’s earliest self-portraits sold for a record $5.7m during its auction debut. Depicted as Saint Catherine of Alexandria, Gentileschi painted herself holding a martyr’s palm leaf and wearing a crown and royal robes with a peek of a spiked wheel behind her. The winning bid far exceeded the painting’s $2.5m to $3.5m estimate, and also surpassed the previous record for a Gentileschi work at auction, €4.8m at an Artcurial Paris sale in 2019.

Also during Wednesday’s sale at Christie’s, Canaletto’s Venice, the Bucintoro at the Molo on Ascension Day (around 1754) sold for $30.5m with fees. A different painting of the same view of the Venetian Lagoon broke the artist’s record at auction in July when it sold for £31.9m at Christie’s London.

During Christie’s Old Master and British Drawings sale on Thursday, a miniature drawing of a foot recently attributed to Michaelangelo sold for a record-breaking $27.2m with fees. The five-inch red chalk drawing is believed to be a study for the Sistine Chapel and is fresh to market, which likely helped it hop well above its $2m high estimate. The consignor is located in Northern California, and the drawing has been in his family since the late 18th century. The previous record for a drawing by Michelangelo was €23.2m with fees, set at Christie’s Paris in 2022.

Rembrandt, Young Lion Resting Courtesy Sotheby’s

One of the buzziest lots of the week was Rembrandt’s Young Lion Resting, a small chalk drawing that sold at Sotheby's New York on Wednesday for $17.8m will fees. The drawing hammered at $15m—on the low end of its estimate range—but is still the highest price ever fetched for a Rembrandt drawing at auction. The work was consigned by Thomas S. Kaplan and Daphne Recanati Kaplan. The billionaire and his wife have built the largest privately-owned collection of Rembrandts in the world, and Young Lion Resting was the first work by the artist the couple acquired. All proceeds from the sale will go toward Panthera, the Kaplans’ charity for wild cats. The work is the last of six known drawings of lions by Rembrandt in private hands. Others are in the Musée du Louvre in Paris, the Rijksmuseum in Amsterdam, the Museum Boijmans Van Beuningen in Rotterdam, and two in the British Museum. In his newsletter The Gray Market, Tim Schneider reported the drawing was purchased by Dutch dealer Salomon Lilian “on behalf of a big collector”.

A rare Hebrew illuminated manuscript, dating back to 15th-century Vienna, sold for $6.4m at Sotheby’s on Thursday. Called the Rothschild Vienna Mahzor, the book of High Holiday prayers was acquired by the famed banking family it was named for in 1812 in Nuremberg and was passed down through generations of the family. However, the manuscript was seized during the Holocaust and sent to the Austrian National Library where, according to Sotheby’s, it was unrecognised as Nazi loot. The mahzor only resurfaced publicly in 2021 when it was loaned for an exhibition dedicated to the Viennese branch of the Rothschilds—the family hadn’t even known the manuscript was in the library. The Austrian government voluntarily restituted the mahzor last year after researching its provenance, setting the stage for its appearance at auction.

Art marketOld MastersArtemisia Gentileschi RembrandtMichelangeloChristie'sSotheby's
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Podcastspodcast
29 January 2021

New normal for Old Masters: Botticelli's record online sale and new AI research on Leonardo's Salvator Mundi

Plus, Gerard Byrne on his work inspired by a Swedish diorama

Hosted by Ben Luke. with guest speaker Alison Cole. Produced by Julia Michalska, David Clack, Aimee Dawson and Henrietta Bentall
Art marketanalysis
6 July 2018

More than just a pretty face: furrowed brows win at Christie's patchy Old Master sale, but £6.7m sculpture tops paintings

Tacca's Hercules is star of the bronzes, while Carracci's military portrait and Rembrandt's print find favour where Rubens's daughter flounders in £31.1m sale

Anna Brady
Christie'sarchive
1 November 2009

Top quality old masters under the hammer next month

Rembrandt, Domenichino, Raphael and Van Dyck all on offer, but how many will remain in the UK?

Martin Bailey