Anna Somers Cocks
The UK’s ban on ivory sales will not protect the elephants
A spokesman for Traffic, the leading researchers of trade in endangered species, says it is the Asian market that drives the poaching, not the Western market
Man decapitated while fleeing volcano’s destruction of Pompeii
Excavation tells a poignant story of an unfortunate Roman
Why the new Tbilisi Art Fair restores pleasure to buying art
It’s affordable, good quality, unspeculative—and the wine is great
Is nothing sacred? The Metropolitan Museum should apologise to the Vatican for Heavenly Bodies show
Curator Andrew Bolton’s Costume Institute blockbuster is pointlessly offensive to believers
Why the French can sell arms and culture to Saudi Arabia, but the US and UK only arms
France's latest deal with the Kingdom reveals the close connection between culture and foreign affairs
Vatican to take part in the Venice Architecture Biennale with ten chapels
Norman Foster is among the roster of international architects
Ilya and Emilia Kabakov: The desire for paradise
Emilia Kabakov discusses the duo’s past in the USSR and their aim to stop it defining how they are perceived as artists
'Issue one came out in less degraded times: more idealistic, less puffed up by PR machines'
Anna Somers Cocks, founding editor and chairman, looks back
From the archives: take a look at six of the best front pages published by The Art Newspaper
Stop the press!
The commercial rape of Venice is the result of a moral failing in the Italians
This is the view of a former Getty chief, who says the problems of the Serenissima are a paradigm for other historic cities
Resistance in multiple forms at Sharjah’s March Meeting
Minds from the Middle Eastern art world and beyond discussed topics such as urban planning and art and ecology
Brian and Anna Haughton, the dealers who put intellect into art fairs
Back in 1982, these ceramic specialists realised that top curators and hot research brought in the collectors. Today, they’re still keeping the flame of knowledge alive
Peter Wilson: The man who invented modern auctioneering
Buccaneering, brilliant, art-loving—he created the power of Sotheby’s (and Christie’s learned by imitation)
Crown Prince Mohammed of Saudi Arabia has roped an ancient city into his London charm offensive
The splendid Nabatean site of Mada’in Saleh may be opened to tourists
Crown Prince Mohammed adds art, Silicon Valley and movies to his Saudi reforms as Wahabi influence wanes
MoMa hosts announcement of his Misk Art Institute, led by artist Ahmed Mater
Royal Academy of Arts tried to borrow $450m Salvator Mundi for its Charles I exhibition
New London show has received glowing reviews but there is one conspicuous absentee
A new era for heritage reproduction
Digital technologies are at the heart of a declaration by major museums and heritage organisations to record and sometimes reproduce works of art
How Google became a major producer of cultural content
The Google Cultural Institute’s We Wear Culture fashion stories are its latest museum collaboration, its director Amit Sood tells us.
How Egypt is destroying Cairo and civil society
The pharaonic new museum will not make up for misguided policies
Saudi Arabia’s Crown Prince launches institute to promote art in the Middle East
Recently identified buyer of Leonardo's Salvator Mundi is planning a pavilion at the Venice Biennale, art teaching in schools, international exhibitions, archaeology and virtual reality
Saudi Arabia's Crown Prince revealed as buyer of $450m Leonardo and loan confirmed to Louvre Abu Dhabi
Gesture consolidates close political alliance between Saudi Arabia and the UAE
This is no way to solve the cruise ship issue in Venice
The Italian government’s latest decision is in hock to the port’s own interests
Culture is compromised by donations from the Sackler family: we must not accept any more of their money
Anna Somers Cocks on the revelations published in the New Yorker magazine
How offsets on arms sales into Abu Dhabi have helped finance its Louvre
A French study of the Gulf museums sees them as the Versailles of the sheikhs—a step towards autocracy
'In Russia, either be brave or be silenced… there is no middle ground'
Russian art patron Igor Tsukanov has created a show at the Saatchi Gallery about artists who have risked protesting against conditions in Russia since 1991
Louvre Abu Dhabi opens but questions over welfare of migrant workers persist
Improvements are well documented, but rules are still inadequately enforced
Abu Dhabi Focus podcast, episode three: how the UAE art scene became a force to be reckoned with
Art dealer Thaddaeus Ropac and curator Maya Allison tell us how the nation’s creative ambitions have blossomed. Plus: Silver Lion-winning musician and artist Hassan Khan on his Abu Dhabi Art performance
Louvre Abu Dhabi: Nudes? non-Islamic religions? Questioning the nature of God?
Nudes? non-Islamic religions? Questioning the nature of God?
Abu Dhabi Focus podcast, episode two: How Saudi artists are driving political change
As Abu Dhabi Art fair opens, we speak to the Saudi artists Manal Al Dowayan and Ahmed Mater. Plus: Iraq's Dia Azzawi on creating the Arab world's Guernica
Video: Abu Dhabi Art opens as the world watches
Is the UAE now the art capital of the Middle East?