
Ben Luke
Ben Luke is a contributing editor and podcast host at The Art Newspaper
British painter, described as one of the greatest colourists of his generation, won the Turner Prize in 1985 and exhibited widely including at the Met and Reina Sofia
The exhibition Michelangelo & Sebastiano at the National Gallery in London reflects the younger artist’s sharp decline in production once he became keeper of the papal seal. But second jobs did not stop Rubens and Velázquez painting
Glaswegian artist's works gain pertinence at a time when cultural institutions are being targeted by extremists
As the Parisian cultural behemoth hits a landmark anniversary, figures from the world of art and architecture discuss its legacy
Virtual-reality experience is the result of a collaboration between the late architect’s studio, the Serpentine and Google
London museum embraces proposals for the works on this year’s plinth as opportunity to engage the public
Incoming director picks the art that impressed her the most in 2016
What's next for culture after a seismic year?
Contemplate Elton John’s radical eye and pet Rauschenberg’s goat before sailing upstream into Rachel Maclean’s bubble-gum universe
The video artist, who is representing Scotland at next year’s Venice Biennale, discusses her satirical take on identity and online narcissism
Jeff Koons has donated more than $50,000 in cash and through his work to support the US presidential candidate
Belgian painter sees echoes of today’s populist movements in his compatriot’s grotesque folkloric imagery
Six stand out booths, by galleries founded since 2004, reflect the section's enduring dynamism
It may be hard to swallow, but the 1990s are history—art history—and it’s a decade ripe for reappraisal
As the UK’s divided Labour Party meets for its annual conference, a politics and arts event aims for social engagement
Frances Morris explains the strategy behind the split in the collection displays, and the raw nature of the galleries that will house the Tate’s now genuinely international collection
Arguably the museum that most immediately suffered from Tate Modern’s success was its sister institution upriver
From El Anatsui's splashy tapestry, to Cildo Meireles's tower of radios, to Kader Attia's couscous citadel
Conceived in a pub in 1978, the Neca listing has widened interest in contemporary art far beyond Cork Street
Anne Teresa de Keersmaeker and Doris Salcedo tell us about their projects for the Turbine Hall
Tate Modern’s signature post-industrial space has prompted some of the most memorable works of recent years. Here are some highlights
As Tate Modern open its new extension, a £260m brick-clad ziggurat designed by Herzog & de Meuron, we consider the museum’s seismic effect on the art scene in London and internationally
The father of psychoanalysis may have fallen from favour in his own field, but today’s artists remain fascinated by his work, 160 years after his birth. Two academics and an artist explain why
The relationship between public institutions and private dealers has historically taken many forms, and is anything but simple