The non-profit, which uses art to connect communities on either side of the Mexico-US border, had to move its stand the day before Frieze's preview

The artist’s first solo exhibition with Hauser & Wirth in Los Angeles features works she made after her community in Altadena was devastated by the Eaton fire in January of last year

A new Getty show on the activists’ legacy points to the power and limits of anonymity

From the latest additions to Judith Baca's "Great Wall of Los Angeles" at Jeffrey Deitch and "Monuments" at Moca and the Brick, to the Julia Stoschek Foundation's epic pop-up show of video art and medieval creation stories at the Getty

By not going down more obvious routes, the exhibition, which places nine Confederate monuments in dialogue with 19 artists, avoids preachiness

The radical builder emerged—and learned—from a scrappy group of Los Angeles artists

Berthe Morisot was at times a leading light to the more established Édouard Manet, who seemingly even filled the gaps in one of her series. But her intimate paintings struggle to compete with his bolder works

The terms of the restitution of the two ceramic pots have been cast in the mould of Nazi war-loot agreements

The massive, historic works at the core of “Monuments” were never meant to travel, and moving them has been an enormously complex job

But the museum is not promoting the show that way—and might not even have registered its record-breaking size

The gallery will donate its vast archive to the Huntington as it shifts to a new business model

She assumes a newly created position, signalling the Getty’s long-term commitment to project

The show launched in Paris to claims that it was a tainted exercise in queering the French artist

Nadya Tolokonnikova calls the two-week residency at the Museum of Contemporary Art her first durational performance

Newly attributed painting to be unveiled after a heroic conservation effort following serious damage from the Beirut explosion in 2020

As the Getty wraps up its third edition of this initiative, it is time to address a persistent problem

With social media owners cosying up to Donald Trump, creatives are looking for alternative platforms

The chief executive of the J. Paul Getty Trust shares her experience of the disaster, how the institution is supporting artists in the aftermath and the important capital projects that are on the way

Marian Goodman and Hauser & Wirth opened their doors to (almost) blank spaces for each artist’s exhibition

While most museum shows in the PST Art: Art & Science Collide event closed at the end of 2024, more than two dozen are still open. Here are the best of the bunch, which explore themes from gender non-conformity to human ingenuity

Curators at the Fowler Museum—and other Los Angeles cultural leaders—are looking to centuries-old Native American fire-tending practices to help address an urgent crisis

Curated by Aram Moshayedi, “One Hundred Percent” includes works by Kelly Akashi, Kathryn Andrews, Paul McCarthy, Diana Thater and others impacted by the fires

The queer, Indigenous artist hopes the work will reach more Native Americans

The LA Arts Community Fire Relief Fund will provide support to artists and cultural workers affected by the fires

A range of art-world relief funds are trying to provide immediate aid

This Venn diagram of a gallery exhibition leans into the ongoing confusion of the Los Angeles artists

The late artist's ‘interspecies’ collaboration, PigeonBlog, is launching on 19 October as part of PST Art

From the atomic to the astronomic, and the natural to supernatural, these exhibitions make the most of the Getty’s sweeping science-meets-art agenda

A Getty spokesperson confirms multiple people were injured

Fireworks by the Chinese artist ran counter to the point of many PST Art projects