Letters

'Pessimism is a luxury. For people living in Afghanistan, that is never an option': an Afghan art organisation on life under the Taliban

In our series "Dispatches from Afghanistan", we speak to artists and cultural workers about their experiences since the rise of the Taliban

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Letters to the editor | Did Duchamp really steal Elsa’s urinal?

Debate rages on our Letters pages over whether Elsa von Freytag-Loringhoven was responsible for the famous urinal that is attributed to Duchamp

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Traffic believes the US and UK ivory sale bans are ‘vital elements in the international response’ to poaching

The official spokesman of the wild-trade monitoring organisation responds to The Art Newspaper's article on the trade in elephant ivory—and we respond to him

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Letter to the Editor: from Sharon Flescher, IFAR

Re: Former director of scandal-beset Knoedler Gallery breaks her silence, The Art Newspaper, April 2016

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Where are the 35 “fake” Warhols later reassessed as authentic?

Richard Dorment, Chief art critic at The Daily Telegraph, discusses the works

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"Silver, Wine, Art and Gold" is a proper asset class

Joe Roseman, former head of economics at Moore Capital and author of Swag: Alternative Assets for the Coming Decade

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Disputing the origins of the Pre-Raphaelite Brotherhood

“W.M. Rossetti’s letters provide ample evidence that he was the energiser in the Pre-Raphaelites”

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Letter: Director argues MoMA is misrepresented

From Glenn D. Lowry, Director of The Museum of Modern Art, New York

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Warhol authenticity?

Ada Berkowitz, New York

Letter: Modigliani needs art historical approach

Dr Kenneth Wayne says scholarship is the way forward

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Delacroix fraud warning from catalogue raisonné author

Lee Johnson advises that false documentation bearing his name is being circulated

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Letter: Nero is the subject of the Warren Cup

One of the British Museum's finest treasures may depict a notoriously licentious Roman emperor

Letters to the Editor: “Alberto Giacometti did not use Redoutey’s foundry”

The director of the Giacometti Association, Mary Lisa Palmer, corrects our coverage of the Giacometti plaster models and demystifies the forthcoming Giacometti Foundation

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