Responding to a comment piece by the author Simon Jenkins, former Tate curator Simon Wilson says that the institution’s collection is kept in environmentally controlled storage and is mostly made up of works on paper

Timothy Sainsbury says he disagrees with the view that all of the functional parts of the building should be "preserved in aspic"

Architect Edward Jones weighs in on the museum's controversial redevelopment plans

Sadaf Danish, an artist from Afghanistan, had to escape the Taliban but fears for the girls left behind

Artist Ahmed Jahaf speaks out about how the world continues to ignore the crisis in his home country

Vincent’s note to his artist friend Emile Bernard is to be included in an exhibition of the Springer Collection at Madrid’s Thyssen Museum

Vincent writes philosophically about his mental illness, a year after mutilating his ear

Robert B. Simon, the New York dealer who earlier had an interest in the $450m painting, questions our front-page article about a Prado catalogue downgrading the work from a fully authenticated Leonardo

In our series "Dispatches from Afghanistan", we speak to artists and cultural workers about their experiences since the rise of the Taliban

Readers respond to an article about a new publication detailing the founding of the Iranian museum

Debate rages on our Letters pages over whether Elsa von Freytag-Loringhoven was responsible for the famous urinal that is attributed to Duchamp

The official spokesman of the wild-trade monitoring organisation responds to The Art Newspaper's article on the trade in elephant ivory—and we respond to him

Selected correspondence from down the years

Re: Former director of scandal-beset Knoedler Gallery breaks her silence, The Art Newspaper, April 2016