Lucas Cranach the Elder
Nazi-looted Dutch Golden Age painting returned to Goudstikker heir
Latest restitution of work by Cornelis van Haarlem is part of years-long campaign to reunite works with family of Dutch-Jewish dealer
'Wild and raw': Winterthur exhibition reveals the younger side of Cranach the Elder
An exhibition at the Oskar Reinhart Collection Am Römerholz will focus on the German master’s early work, produced when he emigrated to Vienna as a young man
Cranach, Courbet and Corot: a closer look at what the Brooklyn Museum is selling off
The institution is deaccessioning its only Cranach and 11 other works to finance care of its collection
Spot the difference: newly acquired Cranach painting joins earlier work at London’s National Gallery
Moral painting of Venus and Cupid by the German Renaissance master shows the young god of desire being attacked by bees
Goudstikker heir files petition for rare rehearing of Cranach claim
Marei von Saher asks an appeals court in California to reconsider her case against the Norton Simon Museum
Timeline: the legal battle over Cranach’s Adam and Eve
The events that led up to the ruling in favour of the Norton Simon Museum after it was sued by the heir of Dutch dealer Jacques Goudstikker over ownership of the paintings
From the archive: Why the art world is crazy about Cranach
New technology is shedding light on an Old Master as the prolific, multi-talented artist enjoys a renaissance
Norton Simon Museum can keep Nazi-looted Cranachs, US court rules
Decision should put decade-long legal battle between museum and heirs of art dealer Jacques Goudstikker "to rest"
Why the art world is crazy about Cranach
New technology is shedding light on an Old Master as the prolific, multi-talented artist enjoys a renaissance
Books: Sinuous nudes and protestant propaganda as English analytical works on Cranach increase
The Cranach exhibition catalogue and a book on technical aspects of his work
Norton Simon Museum of Art and Goudstikker heiress to go to court over fight for Cranachs
Marei von Saher claims they are Nazi loot, while Norton Simon believes it has legal title to the paintings
Growing evidence that Göring seized National Gallery’s Cranach from its pre-war owner
We uncover the remarkable story of how a US war reporter governed Hitler’s mountain retreat for a day and took control of Reichsmarschall Göring’s collection of stolen art
Revealed: National Gallery’s Cranach is war loot
The painting was taken from Germany at the end of World War II
Bavaria reveals its paintings from Göring’s collection
The State collection is the first in Germany to publish the source of works acquired during the Nazi era