Museums & Heritage
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A major survey of the high priest of the Gothic Revival
Superb new glass gallery opens 20 April
National Trust tires of Marquess
The Tate Gallery's major spring exhibition is a reassessment of the role of sculpture in Picasso's career
The Victoria and Albert Museum may be getting back into its stride as the world's top decorative art museum if the exhibition is anything to go by.
Neo-classicism as expressed in painting sculpture and the decorative arts in a touring exhibition
Russia changing stance: It was all a terrible mistake, we love collectors really!
Giving the treasures a chance to breathe
"Where there is no research, there is no museum", says Wolf Dieter Dube, director of the Berlin museums, but this tenet has come under attack in recent years.
£13 million voted by the government has yet to arrive: most of the restoration has so far been paid for by public donation. Alberto Ronchey, Minister for Culture, has declared his aim to see thirty new rooms created within three years in former storage space, tripling the size of the Uffizi
A third branch of Britain's leading modern art gallery opens, with emphasis on the St Ives artistic community
England's stately homes embrace Davey and Goldsworthy
Installation of new glass gallery postponed for a year
A publication is planned for the gallery, with a pilot projected for September
All together now for the relaunched Technical Bulletin
Tate makes early bid for National Lottery largesse to expand southward
The Association of Art Historians will meet at the Tate Gallery, while 5000 will gather for the College Art Association conference in the US
Spanning the history of consumer design from 1900 to 1992, it aims to explore design ideas, techniques and materials as well as individual pieces and mass-produced objects.
We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour
Dr Norbert Jopek to join Sculpture department
The great collector and museum benefactor discusses his memoir "Reflections in a Silver Spoon", his championing of British sporting art and his family's backing of the National Gallery of Art in Washington DC
This ups the museums holdings of the artist to 22
Restructuring proposals not the result of political interference
Important loans include portraits by Hogarth and Gainsborough and five landscapes by Constable
It is pointless to pretend that the commercial art world and the worlds of research do not interpenetrate each other. Here we look at the relationship, present and past, and ask ourselves, in what respect is the art historian any different from the lawyer who sells his opinion?