Electronic artists have time on their side in global exhibition

The shopping-mall millionare has been wooed by museums all over the world, but Dallas looks set to benefit from generosity in the great American tradition

The sculptor discusses his new work as he installs his first solo show in England

Too few collectors, and too specialised, to guarantee success even for masterpieces

Includes a selection of masterpieces of Spanish sculpture

Five hundred sculptures, prints and drawings courtesy of the Stratton Foundation

A profile of a figure at once diffident, self-critical and restless, beholden to few vanities

Daniel Katz, Britain’s leading sculpture dealer, has a major exhibition in London this month. He describes his thirty-year career and his undimmed passion for art

Private lenders unwilling to part with sculptures due to their fragility

After much controversy surrounding the archives release, Sir Alan Bowness releases part of the archive to Tate

Bust of Christ is centrepiece of popular exhibition

International group of conservators consider the problems posed by the conservation of modern sculpture

A conference will be held in London this month on the state of sculpture and its teaching in Britain

Canova's masterpiece at rest at last

Dramatic rise in counterfeit bronzes on the market

$2.5 million publication covering fifty countries

Row over dubious drawings comes to US

The growing interest is further indicated by the Walker Art Center’s major acquisition

It was previously believed that the statue was a copy

Dr Norbert Jopek to join Sculpture department

Very few bronzes survive from this period, making the piece a remarkable find

Talking about his readymades and his most complicated work “The large glass”, now in Philadelphia, Duchamp reflects on how little he meant to people in the late Fifties, when the painterliness of Abstract Expressionism ruled

Grab and smash operation on 11 November

The three other artists on the short list were Ian Davenport, Fiona Rae and Rachel Whiteread

Open until 15 March, the show may serve as an introduction to the sculptor for a post-war generation unfamiliar with his legacy

The response to the first critical study of this subject has been enthusiastic

Brain drain from the V&A

The "posthumous" sculptures passed through the hands several leading auction houses in Paris

Die Brücke, “New Light on Sculpture”, and Richard Long now on at Tate Liverpool