This week: as robotic figures of the Japanese artist Yayoi Kusama appear in windows of Louis Vuitton stores in New York, London and Tokyo, Ben Luke talks to Federica Carlotto, a specialist in art and luxury, about the latest collaboration between Kusama and the LVMH brand. What does it tell us about what the former creative director of Louis Vuitton, Marc Jacobs, called the “monumental marriage between art and commerce”?
Left to right: Lamassus from the North-West Palace in the British Museum / Michael Rakowitz's The Invisible Enemy Should Not Exist (2018)
Also this week, the artist Michael Rakowitz hopes to give a public sculpture he made for Trafalgar Square in London to Tate Modern and an Iraqi institution. He explains how it prompted Iraq to request the return of one of the lamassu, the ancient Assyrian sculptures that inspired Rakowitz’s work, from the British Museum to its country of origin. You can listen to our interview with Rakowitz on our sister podcast A brush with... here.
Rosy Martin in collaboration with Verity Welstead's I didn't put myself down for sainthood (1. installed work) (2018)
© Rosy Martin and Verity Welstead, courtesy Rosy Martin
And this episode’s Work of the Week is I didn’t put myself down for sainthood (2018), a piece made by Rosy Martin in collaboration with Verity Welstead. The photographic ensemble is in the opening displays of the new Centre of British Photography in London. We speak to James Hyman, the art dealer, collector and co-founder of the centre, about the work.
