Director Cristina Aschengreen-Piacenti has pioneered the project, refusing to allow the residence of a great Anglo-Florentine collector to fade from memory

The incoming chair of the Preussischer Kulturbesitz thinks change is needed, but collector Heinz Berggruen defends outgoing museum director’s record

Exhibitions, projects, budgets, and attendance at the Museum of Modern Art in New York

Fires at the Pitti Palace and Hampton Court have led to this survey of baroque sculptor, Grinling Gibbons

The report of the national commission on the project is due 21 October

Iwona Blazwick describes a new and socially engaged style of curatorship at London’s future Tate Gallery of Modern Art

No go for the V&A Libeskind

A radical new organisation has been created by director Nicholas Serota We interview the man he has chosen to lead the future Tate Gallery of British Art

Refurbishment has cost £2 million

The successes and (rare) failures of a passionate collector

Palazzo Grassi's “Greeks in the West” exhibition is pulling in the visitors

Italy's most discreet city has always favoured the avant-garde, now celebrated by this elegantly cerebral exhibition

Would Italian law allow this picture to revert to the original owner?

A gentle heritage

Contributor to Vogue, Harpers and Punch amongst others

Laws now are obsessed with the objects rather than the sites

Suggestions from a former Assistant Keeper

Medievalist director of the Imperial War Museum, an able fund-raiser, chosen by the Trustees

East Anglia University lures Elizabeth Esteve-Coll

Several stakeholders weigh in

Customs at Moscow airport impound suitcases full of papers about the Avant-garde

Change needed in the face of a growing market

Lothar Baumgarten at the Guggenheim

Is a Roman bronze archaeology or art?