Anna Somers Cocks
From the archive | Waddesdon, Museum of the Year and the exemplar of a Rothschild house
Jacob Rothschild, the banker and former head of the National Heritage Memorial Fund, always took a deeply personal interest in the last of the great Rothschild houses
Grinling Gibbons, a superstar rediscovered at the V&A
Fires at the Pitti Palace and Hampton Court have led to this survey of baroque sculptor, Grinling Gibbons
Italian environment minister expected to reject Venice flood barriers
The report of the national commission on the project is due 21 October
Tate Gallery: With Bow Bells, Cockney costermongers and artists
Iwona Blazwick describes a new and socially engaged style of curatorship at London’s future Tate Gallery of Modern Art
Opinion: Martin Borg should stop wasting time and money on his plan for a £70 million Libeskind extension
No go for the V&A Libeskind
Tate Gallery: All for one, and one for all
A radical new organisation has been created by director Nicholas Serota We interview the man he has chosen to lead the future Tate Gallery of British Art
Are auction houses creating a bigger market for all or squeezing out the competition?
In 1998 we reflected on Sotheby's and Christie's recent move to sell cutting edge contemporary art as being a watershed moment
Peanuts this ain’t: the V&A's Raphael Court to reopen
Refurbishment has cost £2 million
With the Castle Howard Guercino, Timothy Clifford has saved from export one more in a long line of masterpieces. Is he the last of Britain’s great acquirers?
The successes and (rare) failures of a passionate collector
The Greeks on display in Venice and hidden war booty at the Hermitage
Palazzo Grassi's “Greeks in the West” exhibition is pulling in the visitors
Turin shows hidden talent at Castello di Rivoli as six top collectors go public this month
Italy's most discreet city has always favoured the avant-garde, now celebrated by this elegantly cerebral exhibition
Daniel Wildenstein in fight to recover a Boldini stolen by the Nazis
Would Italian law allow this picture to revert to the original owner?
The National Trust, the greatest “museum” in the UK celebrates its centenary with an exhibition of paintings from country houses at the National Gallery
A gentle heritage
Walter Goetz, cartoonist, collector and friend of The Art Newspaper dies
Contributor to Vogue, Harpers and Punch amongst others
Archaeological reforms needed in source countries: Reward the finder, excavate faster, keep what is important but allow a licit market
Laws now are obsessed with the objects rather than the sites
Dear Alan Borg: An open letter to the V&A's new director
Suggestions from a former Assistant Keeper
London, Alan Borg—a safe choice for the Victoria and Albert Museum
Medievalist director of the Imperial War Museum, an able fund-raiser, chosen by the Trustees
Victoria & Albert Museum director to become Vice Chancellor of UEA
East Anglia University lures Elizabeth Esteve-Coll
The mechanics of sponsorship: an interview with one of the UK's biggest exhibition sponsors
James Joll of the international media giant Pearson plc explains the who, what, why and quid pro quo of corporate involvement in the arts
Does art still need collectors? Where these days should the notion of collector end and that of custodian begin?
Several stakeholders weigh in
Ninety year-old friend of Malévich flees to Holland and scandal erupts over supposed smuggled sales to the Gmurszinska Gallery
Customs at Moscow airport impound suitcases full of papers about the Avant-garde
Only a legal antiquities market can curb the illegal market which destroys world history
Change needed in the face of a growing market
Twice as much space for classical antiquities
Is a Roman bronze archaeology or art?