
Anny Shaw
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
The new section explores art from the 60s and 70s
As the "gay aesthetic" goes mainstream who should owns queer culture?
Theo Danjuma proposes a non-profit gallery in one of his father's hotels in Lagos. In South Africa, a $45m contemporary art museum is underway
It will eventually be installed in the Burj Khalifa district
Martin Parr and Gerry Badger explore propaganda, conflict, sex, and death
Not yet publicly announced, it is scheduled for 2016
Moscow’s Ekaterina Cultural Foundation is set to host a retrospective of the Young British Artists
Walter Maibaum claims to have not seen proper payment for the sculptures, accusing Barry of neglecting various agreements
A big week for Phillips, Sotheby's, and Christie's
The London fair features a raft of women, including Judy Chicago, who are eschewing assembly-line art
Rankings take into account the collector's participation and responsibilities within the art world
Only around 25% of the dealers at Art Basel are female, but women are giving no quarter as the playing field begins to level out
The exhibition of pre-colonial art aims to convey an underlying notion of exchange, in all senses of the word
Technical analysis could reveal secrets of rare Ernst plaster sculpture
A new breed of buyer is crossing over from modern and contemporary art and acquiring the top pieces in every field
Bank sells several works to recoup $3m loan
Artists have used the walls of Cairo, Damascus and Tripoli to document the uprisings
Selling them can still be a challenge
As the appreciation of street art rises (as do its prices), attribution becomes critical
Their outward naïveté conceal a network of historical influences
Artists love it as a medium, but are collectors and dealers too busy for time-based work at an art fair?
Sales very close to pre-recession totals
The director of Turner Contemporary chooses her favourite works from the fair—and reveals a very British preoccupation with the weather
Can the law keep up with the speed of digital appropriation, reproduction and distribution? And should it even try?