Anny Shaw

Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art

Global demand for African art brings near-record year for South African auction house despite ‘much higher degrees of uncertainty’

Strauss & Co is launching a new sale format with the aim of fostering a more inclusive African art market

Egon Schiele painting to be restored with €25,000 grant from Tefaf art fair

Once owned by Jewish collectors in Vienna, the landscape was exported to the US on condition it was exhibited in the Austrian pavilion at the 1948 Venice Biennale

Another London fair cancelled: Art & Antiques Fair Olympia pulls summer event over ‘escalating costs’ and ‘lack of dealer commitment’

With Masterpiece also out of the picture, the UK capital's fair landscape looks very different this year

Are charity art auctions, not donations, the new model for offsetting taxes?

Paul Allen’s estate has pledged proceeds of its $1.6bn Christie’s sale to unnamed philanthropic causes, while FTX founder Sam Bankman-Fried vaguely promised to give away his fortune

Another monumental Munch painting once hidden from Nazis in a barn heads to the block

Heirs of Jewish art critic forced to sell the work estimated at $15m now set to benefit from Sotheby’s auction

The art world in 2023: market predictions, big shows and museum openings

From a post-pandemic Brexit watershed to Hip Hop's 50th birthday, The Art Newspaper team dicuss what lies ahead this year

Hosted by Ben Luke. With guest speakers Anny Shaw, José da Silva and Jane Morris. Produced by David Clack and Aimee Dawson
Sponsored byChristie's

New business, familiar face: former Sotheby’s chairperson Patti Wong launches advisory focused on top Asian collectors

Patti Wong & Associates will partner with London-based advisory The Fine Art Group to expand its global reach

‘An absolute art market record’: Christie’s posts $8.4bn in sales for 2022

Single-owner collections and millennials boost auction house’s revenues despite “challenging macro environment”

Art marketcomment

The elephant in the booth: the environmental toll of art fairs

With a host of identikit international fairs showing works already viewed online and often already sold, is there a point to generating all those air miles?

Can art actually help improve Saudi Arabia's abject human rights record?

Culture is being used by Saudi Arabia to project an image of a state that “enriches lives, celebrates national identity and builds understanding between people”

Little progress is being made in diversifying US museum acquisitions, report preview finds

Data from the Burns Halperin Report 2022, published 13 December, shows the limited purchasing power of museums and how much they rely on donors to shape their collections

The last hurrah? Art world excess at Art Basel Miami Beach

Plus, UK culture cuts and Ukrainian Modernism in Madrid

Hosted by Ben Luke and Aimee Dawson. With guest speaker Anny Shaw. Produced by David Clack and Henrietta Bentall
Sponsored byChristie's

Art Basel in Miami Beach sales report: dealers brace for gloomier times ahead

The fair saw healthy sales, particularly at the market’s top end, but many galleries are wary of a downturn

Anny Shaw. With additional reporting by Gareth Harris

Miami mega-collector Jorge Pérez: 'I hate to see where America is now'

Other leading cultural figures also respond to Florida's swing to the right

Gagosian announces new board of directors including LVMH's Delphine Arnault and filmmaker Sofia Coppola

Star-studded board of 20 will “raise the bar on the gallery’s vision for the future”, mega-dealer says

The five year warranty on the Salvator Mundi by Leonardo is about to run out—could the buyer have asked for their money back?

Warranties of authenticity offered to buyers can be hard to enforce when auctioneers can fall back on the “generally accepted opinion of scholars and experts”

Banksygallery

Banksy in Ukraine: seven new works appear in war-torn sites

The pieces are located throughout the country, from Kyiv to Borodyanka

Art marketcomment

Five years after #MeToo, what has changed for female artists?

Recently, some major galleries have signed high-profile women, many of whom launched artistic careers long before the industry cared

Censored? London premiere of Andres Serrano’s Capitol attack film pulled for being 'pro-Trump'

US artist says that Prince Charles Cinema has “misinterpreted” his work

Art marketanalysis

Art Week Tokyo’s perfectly orchestrated official launch leads some gallerists to ask—do we really need a fair?

As the city attempts to grow its position as a global art hub, some dealers express a preference for gallery-hopping events

Crisis, what crisis? Global import and export of art set to hit record levels by the end of 2022, according to Art Basel/UBS report

Demand from collectors remains “extremely resilient”—but survey asks how long can the current model be sustained?

Art marketcomment

Pakistani artists raise money for its devastating floods—and question which causes garner art world support

Osman Yousefzada and nine others sold specially created prints, but Pakistan’s worst natural disaster in living memory has yet to galvanise the industry

‘Pay-to-play’ galleries—which charge artists thousands to exhibit—are on the rise

By asking for participation fees upfront, art businesses are hedging their bets against poor sales—but how ethical is this practice?

Major galleries sign Venice Biennale’s women artists—at last

Commercial representation is growing for leading women who launched and sustained careers before the art market cared

Anny Shaw. With additional reporting by Kabir Jhala

Art boom as the UK busts: how the economic crisis is affecting the market

Plus, Cecilia Vicuña; 20th-century women artists at Frieze Masters; and Modigliani in Philadelphia

Hosted by Ben Luke and Aimee Dawson. With guest speaker Anny Shaw. Produced by David. Clack and Henrietta Bentall
Sponsored byChristie's

VIPeeved: collectors complain about huge Frieze queue and fair full of 'time wasters'

Delays in entry and an 'insane crowd of socialites' leave a bad taste for some, while others chose to leave rather than wait

Tracey Emin sells new work for £2.3m at Christie's and will use the money to fund her new art school

Collectors at Frieze London are also investing with White Cube finding buyers for seven works on paper and Xavier Hufkens selarling a large-scale painting in the region of £950,000

Ultra-contemporary art boom defies economic downturn at Frieze London

New works by young artists are in high demand at the fair, reflecting a surge in prices at auction