
Anny Shaw
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
Works at the New Contemporaries exhibition at Camden Art Centre will be available to purchase on Gertrude
Portrait of Isabel de Borbón was due to go on sale on 1 February
The Council of State dismissed the Italian culture ministry’s belated attempt to repatriate “absolute masterpiece” from the Los Angeles museum
New mural appeared in south London of three military drones stuck to a red “stop” sign—but has already been removed by two unknown men
Union Magazine, launched by the Berlin- and West Bank-based organisation Artists and Allies of Hebron, hopes to resist a polarised political climate
The Austrian sculptor's art will go to his private foundation overturning previous decision granting ownership to West's widow and children
From the emerging to the blue-chip, artists are trading gallery representation for agents or outright autonomy
Art community joins South Florida Coalition for Palestine's demonstration outside the fair
New charitable schemes mirror shifts in attitudes to collecting and giving among younger art buyers
An inclusive curatorial theme sees works by older female artists snapped up
The work, "Delta" (1958), is coming to the market for the first time in years, with an asking price of $45m
Access by Art Basel will launch at next month's Miami Beach fair
The artist-activist defends free speech in a lengthy response, but says that the gallery’s decision is “for his own well-being”
Online company managing the Margate mural, intended as a comment on domestic abuse, has already sold more than £250,000 in shares
The artist has pulped 6,000 copies of Dan Brown’s 'The Da Vinci Code' and turned them into a limited edition of George Orwell’s dystopian novel
Fruits et pot de gingembre, one of three Cézanne paintings included in the sale, was found to have been sold under duress after the Nazis took power in Germany
Signatories of the new letter state “there should be no contradiction between staunchly opposing the Israeli occupation and the humanitarian crisis in Gaza, and unequivocally condemning brutal acts of violence against innocent civilians in Israel”
A letter signed by Tania Bruguera, Michael Rakowitz and others also criticised arts organisations for their "institutional silence" regarding the humanitarian crisis in Gaza
Phillips’s recent private selling exhibition of Damien Hirst works marked 15 years of artists collaborating with auction houses, with or without gallery cooperation
While Paris hotels are reportedly crawling with bed bugs, the only critters we saw at Frieze London and Frieze Masters were in the exhibits
As public institutions are working more with the private sector, there are calls for greater transparency
A former home for Huguenot refugees and a secret garden in the middle of Mayfair are among the venues used to host exhibitions in recent months—but public sculpture brings its challenges
Simon Fox also discusses the challenge of juggling multiple mega fairs at once and why London's art scene is still flourishing
Secondary-market dealing on the rise as interest in young talent cools
Named Chomper for its well-preserved set of teeth, the skeleton was unearthed in Montana in 2019
Everything you need to know about the artist’s market before you start building your collection
While university arts departments are being dismantled, dealers and auction houses provide learning programmes
Nine artists, curators and dealers who beat the industry's stacked odds discuss challenges and solutions
The city’s collectors, museums and state support make it a key player in Asia—but sales from the fair show its market is still nascent
The British patron’s annual meetings on the Greek Island were a “who’s who of the contemporary art world”