Aged twenty-five years old, London gallerist Joshua Compston died on Wednesday, 6 March, 1996.
Retrospective on until 14 July
Mr Hayes was told that he was only owed $3.5 million
New structure will showcase contemporary crafts
Even the most hidebound museum or public institution has now woken up to new technologies
However, there is still a marked lack of Spanish collectors
But Apsley House reaches record numbers following restoration
Gemma de Angelis Testa, Eliana Guglielmi, Corrado Levi, Marcello Levi, Marco Rivetti, Patrizia Sandretto Re Rebaudengo
The Art Newspaper surveys the successes and failures of the much criticised organisation
In a radical change of policy, the Getty now favours archaeological conservation, research and education over collection building
Curators to be given a place on management committees
International group of conservators consider the problems posed by the conservation of modern sculpture
Dynasties, a big show of Tudor and Jacobean painting, demands considerable intellectual input from the visitor
A big new event organised by the Maastricht team but with concessions to its Swiss location. Will it work?
After many set backs a new building is finally in the works, as well as plans for a modern solution to the dispersal of Egypt's treasures
The Fundació Gala-Salvador Dalí fills the hole left by break with Robert Descharnes
While many details are yet to be fine-tuned, it should be ready to protect Europe's cultural treasures by the end of the year
Praz bequeathed the entirety of his collection to the Galleria Nazionale d’arte Moderna, in the hope that his home would become a satellite of the museum
Celebrating our fiftieth issue with fifty of our best
Dutch Landscape exhibition proves popular
Art Basel's status as the leading art fair remains in tact; whilst plans are made to include a video forum and a space for young galleries
Great collectors at the Getty
Architectural theorist Jehuda Safran discusses the merits of Herzog and de Meuron
Has the V&A lost its head?
A broadly chronological approach with thematic rooms addresses Surrealism, emotion, and history painting
Historical figures predominate, with archaeology close behind.
Martin Kemp is the new Professor of Art History with the brief to expand the faculty
As the current survey opens in London, we look at how it fared in the US