Grant shares with The Art Newspaper his conversation with Julian Spalding of the Kelingrove Art Gallery in Glasgow
Third biannual of strongly supported contemporary decorative arts
Neshat links three incongruous images - the bare soles of the feet, Arabic script and gun violence - to achieve a conceit
A radical change of policy as new director of antiquities takes over
His motivations to sell remain unclear
600,000 visitors a year and £3.8 million from the National Lottery
£20,000 for thirty-year old Scotsman
200 outfits to enter the collection
Our second Art Law Supplement examines cultural property export regulations; the legal loopholes in their international enforcement and the latest proposed solution: the controversial 1995 Unidroit Convention on Stolen and Illegally Exported Cultural Objects. We also deal with art and artists on the edge of society, in articles on censorship and the creations of the mentally ill
Works kept by the artist are to be exhibited in a commercial gallery for the first time
Commissaire-priseurs unite in preparation for 1998
Drawings believed lost go on display in “Masterpieces of Western European Drawing"
Artifact had been missing from Bologna since 1940
The works are from the Oppé collection and Janet Wolfson de Botton
Five hundred sculptures, prints and drawings courtesy of the Stratton Foundation
Meanwhile, Paul McCarthy and Pierre Molinier provide a little titillation
“Inside the visible” is on show until 8 December
Andrew Fabricant will shortly be opening an office in New York
“Trompe l’oeil: to fool the eye and to challenge the appraiser” is on in New York
Barbara Hepworth’s sculptures in high-society benefit at PaceWildenstein
The new exhibition displays over 250 works in a journey around the art inspired by the eighteenth-century infatuation with Italy and antiquity
Though the identity of the Boucicaut Master is unknown, his work is extremely valuable
Wonnacott's portrait of John Major is on view at Agnew's
"Mistress of the House, Mistress of Heaven” is at the Brooklyn Museum 20 October - 5 January 1997
Why I prefer decorative arts
The chocolate magnate both infuriated and stimulated the German art scene for nearly thirty years
Professor John Malcolm Russell's personal connection to the objects left him well placed to recognise them in images from sales
Charles Saatchi and Larry Gagosian are discussing a joint gallery, reports Roger Bevan
The works on paper will begin their nomadic existence at the Teylers Museum