The winner of “The Exhibit” will receive $100,000 and a solo exhibition at the Smithsonian’s Hirshhorn Museum

New York’s Cooper Union postponed an exhibition on Vkhutemas, a school that operated in Moscow for ten years in the early 20th century before Stalin shut it down

The fair’s special programmes include performances and large-scale installations around its venue, as well as contemporary art interventions at storied West Los Angeles locales

After rising to prominence in New York’s AbEx scene of the 1950s, Leslie devoted much of his career to honing a style of monumental figuration that was decades ahead of its time

The lawsuit centred on the authorship of a desert landscape painting signed “Pete Doige” and created by an inmate at a Canadian prison

Feldman, an early supporter of artists like Joseph Beuys and Chris Burden, opened his gallery in 1971 and quickly established himself as a gallerist willing to take risks

Pearlstein, a classmate of Andy Warhol’s who similarly worked against the grain of the dominant Abstract Expressionist style of the time, remained committed to representation from the late 1950s onward

A lawsuit claims that the billionaire sexually assaulted a woman in Jeffrey Epstein's New York mansion

A dozen hotels around the city will display works, predominantly from Florida artists, during the fair

Here are the shows to visit beyond the Art Basel fair this week

The drawing, Grotesque Head of an Old Woman (1489-90), was last displayed at the museum in 2017 and is now available for study

Her bookstore Art Catalogues, which she founded in 1977 and is still in operation, has long been a gathering place for the Los Angeles art community

The artist, who rose to prominence in the New York art scene of the 1970s, remained committed to an unclassifiable and otherworldly aesthetic

Following stints at Art News and the Village Voice, and as a poet, Schjeldahl joined the New Yorker in 1998, becoming one of the most influential art critics of his generation

The artist was best-known for his abstract lacquered works and played a key role in the development of the Los Angeles art scene in the 1960s

The school’s American Studies programme will become the American and Indigenous Studies programme, and Forge Project’s executive director will become a fellow at Bard’s Center for Curatorial Studies

Doroshenko, a Chicagoan of Ukrainian heritage, was the founding president of the PinchukArtCentre in Kyiv and was the commissioner of the country’s Venice Biennale pavilion three times

The non-profit, long housed in a sprawling fourth-floor space in Chelsea, will decamp uptown to a location with ample street-level space

An ambitious campus redevelopment includes one of the artist’s Skyspace installations

Daisy Nam, who joined Ballroom in 2020 as curator, will take the reins of the organisation from Laura Copelin

The 2022 edition of the New York fair will feature a section of large-scale installations organised by the Tate curator Tobias Ostrander

The outpost opened in 2016 as an attempt to reach the potential tech-funded collector base in Silicon Valley

“The one rule of my work is that it must not have any function,” Oldenburg said in an interview, “I begin by removing the function of the thing because it’s true function is to become an artwork.”

Following years of financial hardship, the university has announced it will become a nonprofit, but it is unclear how it will handle its famed Rivera mural

Armstrong, who led the Solomon R. Guggenheim Foundation for nearly 15 years filled with triumphs and turbulence, will leave in spring 2023

For decades, Keane’s hugely lucrative painting practice was controlled by her husband, who took credit for her canvases

The abstract painter associated with the Washington Color School achieved global renown beginning in the 1970s for his unique uses of colour and canvas

The works had purportedly been sitting in a storage unit for 30 years before resurfacing in 2012 and eventually going on view at the Orlando Museum of Art

The Dia Art Foundation will renovate the storied works, each on view in New York for more than 40 years, with the intention of keeping them open year-round