Art.sy will unite would-be collectors with art and dealers they may not know—and it’s all built on trust

His sculptures have previously been available to view exclusively in public collections

The fair's effort to give a detailed insight into recent developments of design distinguishes it from competitors

Art Parcours heads indoors to the city’s historic quarter, while the Messeplatz remains sculpture-free

But attendance was down at fairs devoted to works on paper

His new space in London will open with an exhibition on the Austrian painter

Tied to increasing prominence of private sales by auction houses

Following the Eigen+Art's exclusion from the fair selection, owner Gerd Harry Lybke protests with a request that his artists are not made available at any other stand

Collectors queue to view classic modern and contemporary works

Chairman Ben Janssens has spent the year charming galleries and collectors in other continents

Fallout from Leonardo case sees London dealers locked in legal dispute

Art Basel Miami Beach '10 fair report

How young dealers are on the up

“At Gagosian, it was understood, ‘Sit there and make money’”

Who needs celebrities? It’s the serious collectors that count

Sales very close to pre-recession totals

Some things are for sale. And some aren’t

Once the art dealer announced his major museum job, the race was on

The fair drew the major collectors, its quota of celebrities and plenty of students. But the feel was calm, not frenzied

Art Basel '10 fair report

There were still surprises in store

Dealers Monika Sprüth and Philomene Magers discuss the benefits of teamwork and the Berlin art scene

No access to lawyers, claims source

The old master dealer on market caution, setting the record straight with Colnaghi, and working for a very private collector

Art world remembers a great art dealer, collector and museum founder

Art and antiques fair builds on last year’s success of attracting high-spending collectors with a new section devoted to works on paper

Building, staff and some artists on the way out

Why is it that a move from the commercial sector to the non-profit is seen as scandalous?

A new layout might have left collectors feeling bemused but, in the mid-range at least, they were prepared to buy