How can live art be held in museum collections? Tate conference to share its conclusions
An online conference backed by a research project will explore how institutions can care for time-based, live and organic art
‘I find myself attracted to art with a violent component’: art adviser Sibylle Rochat on what she collects and why
Former gallerist says that works that can seem unattractive and complex at first can eventually give the most pleasure
The Venice Biennale has long been known as the world's most discreet art fair—where does Ukraine fit into that?
In the wake of Russia’s invasion, some of the spending power at the exhibition is being directed towards good causes
Protest art is popular, but should it become big business?
Activism has a growing presence at art fairs, but it’s up to collectors and other stakeholders to enact meaningful change
As the direct-to-consumer model for selling art gains ground, where does it leave traditional dealers?
As peer-to-peer trading disrupts the market, bricks-and-mortar galleries must reconsider what they offer collectors
Wanna shop for art like an NBA star?
Bronx gallerist Set Free Richardson is helping the stars of the basketball court tell a KAWS from a Kehinde Wiley
Henri Matisse, as only the collector Etta Cone knew him
Baltimore Museum of Art exhibition pays tribute to the French artist and his most ardent American patron
Sargent, Goya, Degas: Frick Collection welcomes its most significant gift to date of works on paper
The 26 works, promised by a New York collecting couple, enhance the museum’s current holdings and add new artists to its collection
Being young, Black and collecting art: my life in the art world
The trials and tribulations of building an art collection
‘Works made in Iran today are inextricably linked to the past’: collector Mohammed Afkhami on how art shaped his life
The Middle Eastern financier is bringing his collection to New York’s Asia Society later this year
All ears: why collectors can’t get enough of industry hype right now
In an increasingly asset-driven art trade, collecting by listening to the buzz is fast becoming the norm
'If you miss the train, don’t chase it, there will be another one': Ann Getty on collecting
Shortly before she died in September, the art collector, interior designer and philanthropist spoke about cranes with personality and buying what you love
From how insurance pay outs work to when to get your art appraised: a must have how-to book for collectors
This updated art market manual by Mary Rozell merits a place on any bookshelf
Lost Art: the disappearing art of how we buy art
How will the experience of art collecting change after the coronavirus pandemic?
What sort of art will we want after the pandemic ends?
Performance out, domestically-sized painting in
Where to buy art that supports good causes during the coronavirus pandemic
Works by artists including Wolfgang Tillmans, Tracey Emin, Marlene Dumas, Martin Parr and many more, are on sale for as little as £50
UK Science Museum group is building a coronavirus collection in response to pandemic
Other institutions reflect on ethical concerns linked to Covid-19 material
Celebrating a generous donation to the Frick, this booklet pays tribute to the donor and his gift
The Arnhold family began collecting Meissen porcelain in the 1920s and the heir has given more than 100 examples to the New York museum
'You have the right to culture with a capital C': Africa's growing collecting class shifts focus to home
From Marrakech to Cape Town, the continent's growing fairs and auctions scene is catering to a burgeoning domestic buying base
How a vast Käthe Kollwitz collection ended up at the Getty
Richard Simms, the 93-year-old donor, built up the enviable collection on a dentist’s salary starting in the 1960s
As Nazi objects and fakes enter collectors’ market, should museums show them?
Highly publicised sales and seizures of Nazi memorabilia raise questions about whether such items should be exhibited
Snap and go: the pros and cons of the art experience economy
Immersive experiences define the most popular contemporary exhibitions, but where does this leave the commercial art world?
Book of discarded family pictures reminds us of our mortality
Personal collection of anonymous photographs made from Kodachrome slides shows the transience of our lives
'I wish I had bought a Banksy': inside the collection of Mark Hix
The restauranteur tells us about his unusual Bridget Riley work and displaying his art on his new boat
‘I have works under every couch and chair’: inside the collection of Alia Al-Senussi
The art patron and consultant tells us about her special Robert Mapplethorpe gift and her love for her mother's ivory
'I have a work made of mortadella': inside the collection of Gemma De Angelis Testa
The private collector tells us about her dreams for her own museum and the difficulty of maintaining her food art
'Issy Wood is one to watch': inside the collection of Raimund Berthold
We talk to the fashion designer about lending a work to the Old Vic theatre and how he dreams of buying the Beyeler's entire Stingel show
The architects who build art collections: from Phil Freelon to I.M. Pei
While architects and designers are often inspired by the works of artists, their own acquiring habits are as varied as their influences
V&A Rapid Response Collecting unit acquires the Tampax menstruation cup
With Jean Pigozzi's contemporary African art donation, MoMA to become a 'leader' in the field
The museum says the gift will play an important role in the reconfiguration of its permanent collection