Impressionism
How Renoir’s nudes helped the Clark get its groove back
An exhibition sheds refreshing new light on the artist’s development
Monet's glowing haystacks set alight Sotheby's Impressionist and Modern art sale with a new £97m record
Market is alive and kicking at the top for prime Impressionist works, though Bouguereau's uncomfortably placed, 19th-century Bacchanalian scene failed to sell
The good, the pricey and the Surreal: Monet flops while Signac glows at Christie's sale
Impressionist, Modern and Surrealist art auction makes second highest total for Christie's London at £165.4m, but much of overpriced collection goes unsold
Keep the Monet flowing: trim but efficient Sotheby's sale starts London's pre-Brexit Impressionist and Modern art week
£63m auction total is half that of last year, but bidding from Asia and Russia helps make new record for Oskar Schlemmer and a Venetian view by Monet
What to watch on the block during New York's fall sales
Lesser known lots still hold plenty of hammer potential
Show turns a spotlight on the black female figure in Modern art
Exhibition at the Wallach Art Gallery includes works by Manet, Matisse and Mickalene Thomas
Van Gogh’s postman didn't deliver: how Samuel Courtauld swapped portrait for famous Sunflowers
In this week’s podcast, hear how the British collector changed his mind and acquired the National Gallery's star attraction
What debt does mid-century American abstract painting owe to Monet?
Exhibition in Paris attempts to draw connections between the Impressionist and Pollock, Rothko and friends—with mixed results
Supply wrung out? End of term feel to London Impressionist and Modern art auctions
Sotheby's sale fell below estimate while Christie’s provided some cheer, showing there is still money in Monet – but only the right one
Masterpieces from London's Courtauld Gallery head to Fondation Louis Vuitton in Paris
Works by Manet, Van Gogh and Cézanne will return to France for the first time in more than 60 years
Christie’s $416m Impressionist and Modern art sale reaffirms bullish market for top material
Even without a $150m-plus headliner, the auction topped rival Sotheby’s by $100m thanks to deeper, more even bidding
Modigliani nude leads Sotheby's $318.3m Impressionist and Modern auction
Sex sells—but only if it is guaranteed
Christie’s to sell second Monet from the Gare Saint-Lazare series after Rockefeller auction
Painting is “one of the most important” by the Impressionist artist to be sold in London in the past 20 years
Monet's urban obsession explored in major new London show
National Gallery exhibition, which includes Rouen cathedral paintings, reveals another side of French Impressionist
Mystery Picasso collector on spending spree buys £49.8m portrait of Marie-Thérèse
Buyer bidding through advisors Gurr Johns, combined with strong Asian interest, buoys London Impressionist and Modern art sales at Christie's and Sotheby's
Beyond Leonardo: the artists who led the auctions in 2017
We survey the top five results in key markets, from Old Masters to Post-war and contemporary
Solid $269.7m at Sotheby's maintains momentum in Impressionist and Modern market
New York sale results boosted by strong Asian and Russian buying, and shored up by guarantees
Christie’s $479.3m Impressionist and Modern sale hits highest total since 2007
Pent-up demand for top material kicks off New York's key auction week, with a $81.3m Van Gogh and records for Léger, Magritte, Man Ray and Vuillard
Optimism abounds heading into November auctions in New York
Discretionary sellers gain confidence in the market and Christie's leads its contemporary sale with Da Vinci—but recent overreaches sound a cautionary note
Kandinsky record falls twice in patchy Sotheby’s sale
With three lots making over £20m with fees, Sotheby’s long-winded Impressionist & Modern Art auction improves on 2016 but falls just short of a stiff estimate
Artists who made it a family affair: Madrid, Frankfurt, and Philadelphia explore the creative exploits of collaborative families
Kobro and Strzeminski, Bernd and Hilla Becher, and Pierre-Auguste and Jean Renoir's relationships are each subject to in-depth review
New retrospective in Paris for Pissarro, the first of the Impressionists
This will be one of three exhibitions on Pissarro in Europe this year, providing unparalleled access to the artist's greatest works
Pierre Bonnard: easily misrepresented
Few books adequately explain Bonnard’s intentions and achievements. A new one is no exception
Musée d'Orsay sends Manet’s Olympia to Russia
French masterpiece, which goes on show at Moscow’s State Pushkin Museum this month, has only ever left Paris once before
A national obsession with prostitution: Hannah Stamler on 19th-century French depictions of prostitution
A book looking at Modern images of prostitutes is lacking in necessary context
A world away from the rest: David D'Arcy on Paula-Modersohn Becker at Galerie St. Etienne
A show of the artist's work reveals her proximity to and distance from both modernism and academicism
Van Gogh's Garden at Auvers, once labelled a fake, gets its day in the sun at Royal Academy
The big ticket show holds few surprises but plenty of public appeal
Van Gogh and Malevich works are star lots in Sotheby’s November sales in New York
The auction house looks to hold on to its lead in Impressionist and Modern art against rival Christie’s
A healthy dose of nature: David D’Arcy on van Gogh’s landscapes
An exhibition at the Clark Art Institute is a road map for the artist’s psychological journey
Restituted works help Sotheby’s lead the way in London sales
Impressionist and Modern art auctions were in line with expectations