Miyoko Ito’s intriguing merger of internal and external space gets proper recognition and a fresh look in this visual feast

The exhibition at the National Gallery of Australia singles the artist out as one of the great painters of the late 20th century

As the American painter's 100th birthday approaches, a look back on his life and legacy in photos

Curator Gary Garrels has been given “carte blanche” to include artists not represented by the gallery

These volumes on the Swedish artist will help cement her rightful place as a pioneer of abstract art

An intoxicating summer exhibition focuses on five abstract artists—Megan Rooney, Sam Gilliam, Steven Parrino, Niele Toroni and Katharina Grosse. But the chromatic emphasis denies broader interpretations of their work

"The world is very beautiful, but human beings are quite mad," says the British artist

The abstract painter transformed the art scene in post-colonial Morocco

The Missouri-born artist, known for his shaped canvases and bold patterns, became a leading American abstract painter after moving from Paris to New York

With three separate shows of his work taking place in London during Frieze Week, the German artist's market is heating up

Jerusalem-born artist who lived 50 years in exile was a pioneer of the hurufiyya movement and one of the first to write about Palestine's art history

Venezuelan artist was an important figure in the history of abstraction

Munich exhibition explores the experimental works of Georgiana Houghton, Hilma af Klint and Emma Kunz

From a two-venue show of Albert Oehlen's abstract works in Paris to a Bridget Riley retrospective in Los Angeles, here are the gallery shows to see

Exhibition in Paris attempts to draw connections between the Impressionist and Pollock, Rothko and friends—with mixed results

Light and Space artist has exhibitions in London and Beacon, followed by New York retrospective

History, race and economics are examined in the works of four artists at Art Center/South Florida

The late painter’s shaped canvases, including some museum loans, are the subject of a survey in New York

Three excellent exhibitions explore different approaches to Neoplasticism