Kobro and Strzeminski, Bernd and Hilla Becher, and Pierre-Auguste and Jean Renoir's relationships are each subject to in-depth review
This will be one of three exhibitions on Pissarro in Europe this year, providing unparalleled access to the artist's greatest works
Few books adequately explain Bonnard’s intentions and achievements. A new one is no exception
French masterpiece, which goes on show at Moscow’s State Pushkin Museum this month, has only ever left Paris once before
A book looking at Modern images of prostitutes is lacking in necessary context
A show of the artist's work reveals her proximity to and distance from both modernism and academicism
The big ticket show holds few surprises but plenty of public appeal
The auction house looks to hold on to its lead in Impressionist and Modern art against rival Christie’s
An exhibition at the Clark Art Institute is a road map for the artist’s psychological journey
Impressionist and Modern art auctions were in line with expectations
The auction house took a chance sticking to a schedule that clashed with the Venice Biennale’s opening—and it paid off
"Malevich’s early figurative paintings reveal his debt to Monet and Renoir"
Works include Picasso and Van Gogh, but many are yet to be authenticated
Russian money behind many sales as records tumble
After 40 years of silence, Lewis talks publicly on the eve of his major loan exhibition
New works on a quartet of women painters and the wives and models of three of the men
New buyer beat established collectors at Sotheby’s impressionist and modern art sales in New York
American buyers have returned and Asian collectors were also active
Renoir, Sisley, Pissarro and Degas are yesterday’s stars
Leading “open” auction house seeks financing, wants to sell major paintings
Many new, middle-aged, collectors, say Christie’s
Also on show are pastel landscapes at Artemis and high-tech furniture at Barry Friedman
Research reassess the dingy mini-skirt usually seen on editions of the work. Does the answer lie in Nebraska?
Impressionist painters on the Seine at Wildenstein, the Gilded Age glows at Vance Jordan, exoticism at Mark Murray plus fine furniture and Picasso’s lino cuts
One of the world’s greatest collections of modern Impressionist and post-Impressionist art goes on view this month in a $37 million building by Renzo Piano
This survey covers everything from Impressionism to Damien Hirst. Have we moved from uniformity to diversity or to post-modern incoherence?
Palazzo Grassi's “Greeks in the West” exhibition is pulling in the visitors
Picasso, Matisse, Miró and Dalí suggest that great works of art continue to command great prices in changing markets
Reasonable results, with collectors looking lively
Fears are growing that the version in the St Petersburg is a replica