Trustees’ £142m property deal commutes their current lease
Budapest, Zagreb and Warsaw raise their game with newer, bigger, better exhibition spaces
Techno-design is go for museum collections
Are new media museums the future?
Works by Lorna Simpson, Július Koller, and Jimmie Durham make up the selections this year
Given the Tate still needs over £100m, it is a welcome gift
End of an era of modernisation
Some things are for sale. And some aren’t
The archive is expected to be available to the public by spring 2011
Once the art dealer announced his major museum job, the race was on
Academic museums and universities are being targeted by a suspected art forger
The director of Turner Contemporary chooses her favourite works from the fair—and reveals a very British preoccupation with the weather
Millions needed to stop leaks, control humidity and open up the rotunda of the Victorian building
Purchase begins final phase of Jacob Rothschild’s visionary restoration of one of London’s few surviving aristocratic town palaces
Collectors to create “museum collection”
Yale prepares for the 2012 installation of its decorative arts galleries by reconstructing a period room
American patrons have recently been very generous to the gallery, with both their art and their funds
Art from across the globe has recently found a home in Bankside
Outgoing director Vicente Todoli is off to seek new challenges
Hong Kong will soon be home to a branch of the super-gallery
A night at the Turk’s head, a farewell to Tate Modern’s bon viveur, and the only party to support on election night
Moving on from traditional didacticism and adapting to a new level of modern communication
After a decade of acclaim, will its triumph be topped by Tate Modern 2?
Completion is expected in 2014 or 2015
Oxford’s greatest treasure trove
After a decade of acclaim, will its success be topped by Tate Modern 2?
V&A will reunite Raphael’s Sistine tapestries with their cartoons for first time in 500 years
In response to The New Museum's current exhibition
For a work to be deaccessioned from the Tate is rare but permitted, in this case as a step toward upgrading the national collection
Medieval and Renaissance galleries crown phase one of museum’s “Future Plan”