The latest development in the ongoing dispute over a 1916 portrait believed to have been stolen from Fritz Grünbaum by the Nazis

The settlement with the successor of Max Silberberg, of which details are confidential, allows the painting to remain on display at the Kunsthaus Zurich

A crisis that began as an uproar over how the Bavarian State Painting Collections handles Nazi-looted art has widened as Bernhard Maaz “clears the way for a new beginning,” according to the state minister

The Supreme Court’s order requires the decades-long dispute over a painting at the Museo Nacional Thyssen-Bornemisza in Madrid to be re-examined in light of a new California statute

The state’s culture minister has responded to an outcry after a newspaper reported that the Bavarian State Painting Collections keeps an unpublished internal list of 200 Nazi-looted works in its possession

A new film focuses on two paintings Stern was forced to sell as the Nazis rose to power in the 1930s, which ended up at the Düsseldorf City Museum

Richard Semmel, a Jewish textiles entrepreneur in Berlin, was forced to sell the painting after fleeing Nazi persecution in 1933

Missing for more than 80 years, the 1865 pastel will be handed over in a ceremony today after the couple who bought it relinquished it voluntarily

The new law signed by Governor Gavin Newsom is intended to resolve a decades-long restitution claim in a California family’s favour

"Over Vitebsk" by Marc Chagall hung at the Museum of Modern Art for decades until 2020, when it was restituted to the the heirs of a Jewish-owned art gallery in 1930s Berlin

The portrait of the Duke of Saxony, attributed to Lucas Cranach the Elder and his workshop, will be auctioned by Christie’s in New York in January 2025

The two-part show reveals like never before how theft was used as a means of erasing Jewish identity, writes Ambassador (ret) Stuart E. Eizenstat, the chair of the United States Holocaust Memorial Council, and the curator Julie-Marthe Cohen

The 1918 drawing had been in the possession of another Austrian Jewish family, which recently became suspicious of the work's provenance and contacted Grünbaum’s heirs directly in order to “do the right thing”

The work, to be auctioned at Sotheby’s today, was one of more than 2,500 held as collateral and sold, shortly before the Nazi invasion, by the Dutch bank Lisser & Rosenkranz

The report by Raphael Gross calls for more research and details how Jewish owners are omitted from the published provenance

Albert Stern, the former owner, sold the painting “out of necessity” in Nazi-occupied Amsterdam, the Dutch Restitutions Committee says

After almost two years, the case has been dismissed due to a lack of jurisdiction, so the work will remain at the Sompo Museum of Art in Tokyo

The lawsuit stems from the accidental restitution of the wrong painting in the immediate aftermath of the Second World War

The painting, purchased by the real estate magnate Bruno Stefanini in 1998, was once owned by a Jewish woman who fled Hitler’s Germany

Heirs of multiple Holocaust victims have made claims to the drawing, which a member of the Lehman Brothers banking dynasty bought as a gift for his son

Our round-up of the latest art publications

In a filing this week, the museum disputes the Manhattan District Attorney’s claim that the drawing was taken from the Austrian cabaret performer Fritz Grünbaum by the Nazis

The changes will allow Germany to better meet its commitments under the Washington Principles, the country's culture minister says

Only seven nations have made major inroads in recovering property seized during the Holocaust, according to the World Jewish Restitution Organization

The museum insists that heirs to the original collector waited too long to file their claim for the valuable work on paper

The decision by the Ninth Circuit Court of Appeals leaves the heirs of Lilly Cassirer with few options to pursue their restitution claim

But her most important reform proposal faces opposition from the state of Bavaria

The Washington Principles on Nazi-Confiscated Art, released on 3 December 1998, are non-binding but nevertheless continue to enable the pursuit of justice

New panel is to find “fair and just solutions” for disputed works in museums

The experts were hired after a previous iteration of the show was deemed inadequate in addressing the dark legacy of Emil Georg Bührle, who made his fortune selling weapons to Nazi Germany