Pre-Raphaelites

Booksarchive

Books: Two books attempt to correct views of pre-Raphaelite art—held by no one

Traditional understandings of the brotherhood are addressed, again

Shepherd & Derom Galleries bring English Romantic Art to New York

The star of this show is the elegant portrait by Will Powell Frith of Annie Gambart

Collectorsarchive

Andrew Lloyd Webber as collector: A Henry Tate for the 21st century?

The man behind hit musicals such as “Cats” and “The Phantom of the Opera” has been buying Victorian art assiduously for the last 40 years. This month his extraordinary collection goes on public view at the Royal Academy

Pre-Raphaelite and other masters: the Andrew Lloyd Webber Collection, The Royal Academy

The show fills the slot of a cancelled exhibition of antiquities on loan from Egypt

New exhibition 'The pre-Raphaelite dream' rocks the Art Gallery of Western Australia

The paintings and drawings on show in Perth are on loan from the Tate collection

National Trust buys William Morris’s house

Red House, Bexleyheath, to be preserved for the nation

William Morris’s house for the National Trust?

National Trust considers acquiring the Red House, Bexleyheath

A Frederick Sandys exhibition celebrates the re-opening of the Castle Museum

The Victorian age was fascinated by hair, as these paintings show

Tate's exhibition explores the modernity of Ruskin's views on art

His support of modern art was characterised by a missionary zeal

Newsarchive

Lloyd Webber pre-Raphaelite export exhortation

The 300 paintings and drawings in the Makins collection include works by Millais, Holman Hunt, Rossetti and Burne-Jones

A trio of nineteenth-century paintings shows in England

The Tate Gallery proposes the origins in British art of Symbolism, the Royal Academy investigates fairies, while Manchester presents women Pre-Raphaelites

William Morris any way you like at the V&A

A major survey that leaves interpretation of his achievements to the visitor

Art marketarchive

First exhibition of pre-Raphaelite sculpture

The response to the first critical study of this subject has been enthusiastic