Tate Britain
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Meanwhile, Mark McGowan gets a helping hand on his commute while Richard Wentworth loses his marbles
Martin Creed installation opens 30th June
The elegance of the volume makes it a fitting tribute to a triumvirate—the collector Paul Mellon, and the scholars Basil Taylor and Judy Egerton—who will always be associated with the artist’s name
On the eve of a major show at Tate Britain, we talk to the artist about his life and work in the Caribbean
The painting will be loaned by Museo de Arte de Ponce in Puerto Rico as it refurbishes its gallery, along with Burne-Jones' Sleep of King Arthur in Avalon
Three publications illuminate the subject of Tate Britain’s major exhibition
Not as bad as he has been made out to be
The exhibition (closing 2 July) will catalogue Holbein's output during his time in Basel, preceding Tate Britain's "Holbein in England"
See for yourself as Sir Nathaniel Bacon and Francis Bacon go on show in London
Tate board member Chris Ofili calls on artists to donate work to the Tate whilst selling his own work to the Gallery.
“Turks: A journey of a thousand years 600-1600” and “Turner, Whistler, Monet” have been wildly successful
More new work from the first photographer to win the Turner Prize
An exhibition highlighting Turner's change of style after his travels
Exhibition on the late artist to open this September
The catalogue will contain every work he has ever shot
Now on at Tate Britain
Theme-less this year, the triennial covers all generations and styles
The Tate has pulled out all stops for this exhaustive show
Comedian Tony Hancock is revealed as an artist, Tracey Emin makes movies and Anthony D’Offay does a film course
160 works are now on show for the bicentenary of the artist's death
160 works now on show at the Tate Britain
Tate Britain looks at landscape painting in the US, 1820-80
Arts programmes focus on Auerbach—around his exhibition at the National Gallery, in London—and the Tate Surrealism show
The opening of new galleries and the division of the museum’s collection with Tate Modern have realised Sir Henry Tate’s vision of a national gallery for British art. Three rooms for Constable and one each for Hogarth and Blake
Relaunch in October 2001 intended to bring back the public
Riley was heavily involved in the curation of this exhibition alongside Paul Moorhouse
Director Stephen Deuchar and curators Christine Riding and Robin Hamlyn reveal how they choose the shows