Tate Britain
Loading...
More new work from the first photographer to win the Turner Prize
An exhibition highlighting Turner's change of style after his travels
Exhibition on the late artist to open this September
The catalogue will contain every work he has ever shot
Now on at Tate Britain
Theme-less this year, the triennial covers all generations and styles
The Tate has pulled out all stops for this exhaustive show
Comedian Tony Hancock is revealed as an artist, Tracey Emin makes movies and Anthony D’Offay does a film course
160 works are now on show for the bicentenary of the artist's death
160 works now on show at the Tate Britain
Tate Britain looks at landscape painting in the US, 1820-80
Arts programmes focus on Auerbach—around his exhibition at the National Gallery, in London—and the Tate Surrealism show
The opening of new galleries and the division of the museum’s collection with Tate Modern have realised Sir Henry Tate’s vision of a national gallery for British art. Three rooms for Constable and one each for Hogarth and Blake
Relaunch in October 2001 intended to bring back the public
Riley was heavily involved in the curation of this exhibition alongside Paul Moorhouse
Director Stephen Deuchar and curators Christine Riding and Robin Hamlyn reveal how they choose the shows
This new curatorial direction suggests museum just a plaything for the staff
Stephen Deuchar, director of the Tate Britain, talks about the new thematic displays and future major survey shows of New British art, Blake and Spencer
His support of modern art was characterised by a missionary zeal
The first stage of splitting the Tate Gallery into a museum of British art and a museum of international modern art takes place this month
Constables go to Tate and eighteenth-century works to V&A
The Tate Gallery proposes the origins in British art of Symbolism, the Royal Academy investigates fairies, while Manchester presents women Pre-Raphaelites
We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour
Defending his acquisitions and looking to the future, Serita talks on exhibitions and an international outlook