Trained as a neurobiologist, his art is about ways of seeing both physiological and as affected by the high-tech visions around us

The video work will be displayed alongside other new photographic work

Photography and video art at Castello di Rivoli

The artist reflects on the combination of autobiographical content and common experience in her work

Rist is the subject of solo exhibitions in Utrecht and Madrid

Posthumous popularity at Max Protetch, last works at Matthew Marks mapping at James Cohan, psychedelic audio-visual art at Feigen effective excellence at Zwirner, and homage at Universal Concepts

As director of this centre for arts and media technology, Peter Weibel, says that media art can be more politically engaged because it relates to the new technologies and the new economic order

This year’s 15th Ars Electronica, the Austrian digital arts competition, is as strong as ever, despite the fact that the digital revolution has been going through its first real crisis

He talks to The Art Newspaper ahead of his upcoming show at White Columns

Our overview also reveals the highs and lows of this year's biennale, which draws heavily on Scandinavian artists and pays tribute to grand masters Serra, Beuys, Twombly and Richter

Telling universal stories about love, insanity, and death through film and music

New technology does not change anything except the context of art

Ossian Ward investigates European and US perspectives and the issues of conservation and ownership

A bank robbery and its portrayal in the film “Dog Day Afternoon” are the materials used by Huyghe to explore how fantasy shapes memory

Tate Modern continues to dominate the London scene, but gets spread around in more ways than it bargained for

Clare Henry saw the latest high-tech astronomical display at in New York and says scientists have taken art to new heights

The pull of past traditions is juxtaposed with the push of digital innovations

The contemporary fair switches on to new technology

Japan’s technological expertise and interest in media art on display at the Inter Communication Centre and the Image and Technology Gallery

As part of the build-up to the opening in 2000 of its new Bankside building, the Tate is organising exhibitions in nearby parts of London - a film installation by this Iranian-born artist in a Wren church gives a taste of things to come

London artists Tracey Emin, Gary Hume and Gillian Wearing play bit-parts

£20,000 for thirty-year old Scotsman

Pundits inform us that the new media age is now upon us. Will this transform the museum sector?

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