The annual fundraising bash drew a throng of famous guests, with the artist Grayson Perry and the actor Isla Fisher also among them

The tent-like installation will be unveiled in London's Hyde Park later this week

Tracing Whitten’s artistic development with the largest ever show of his work, the story of an exhibition exploring the lives of Black artists in France, and Hans Ulrich Obrist on a monumental painting by the esteemed Indian artist Singh

The French-born London-based artist merged the once-siloed worlds of art and design to create inimitably intimate participatory experiences

The groundbreaking musicians and artists see every part of their London show as a form of art

The London art world came out in force to celebrate the American visionary's exhibition “Revelations” and to enjoy a tech-powered interaction with her quest to create a world where power is equally shared

Why the art world must tackle the questions posed by artificial intelligence head on, plus comics celebrated in two European locations and Degas’ portrait of the circus artist Anna Albertine Olga Brown

The presence of AI in every aspect of life has been a fact for the past 20 months. With the publication of the Stanford AI Index, two areas have come into focus. For museums, how to work with industry giants, without having their offering "distanced" by the summarising power of AI. For artists, how to thrive where sources of production are being monetised in Silicon Valley

The artist Refik Anadol, the museum director Thomas Campbell and the Future Art Ecosystems team at Serpentine share insights on how to thrive while working with artificial intelligence in 2024

A new Infinity Room will also go on show at Victoria Miro gallery in the autumn

We speak to the Leonardo da Vinci scholar, Martin Kemp, about the famous painting's potential move and the latest research on its background, to the US artist about her show at Serpentine North and to the director of the Leopold Museum in Vienna about Christian Schad’s 'Self-Portrait with Model' (1927)

The media artist's "Echoes of the Earth: Living Archive" at Serpentine Galleries, London, goes for radical clarity on its raw data sources and the make-up of Anadol's artificial intelligence Large Nature Model

The London gallery's fourth annual Future Arts Ecosystems report addresses a pressing need for bodies to address the use of artificial intelligence, for their own benefit and for the public good

The rise of huge immersive venues, with giant, wraparound programmable LED screens, has provided a new canvas, and potential new audience, for digital artists. We look at four of the main players, from widely varied backgrounds

It will be the 23rd iteration of the London-based project

Los Angeles artist Lauren Halsey will also unveil a new work at the Kensington Gardens space

With a new show opening at the Serpentine, the German artist explains how the past continues to inform his work

The British artist invited dozens of MPs to view his film about Grenfell Tower at London's Serpentine Galleries, but most only showed up after subsequent guilt-tripping

The Oscar-winning artist’s work was recently exhibited at the Serpentine South gallery in London

A gallery wall has been removed to invite creatures from the park outside to roam the space

“We’ve had to make invidious choices”, says Arts Council England’s chair, Nicholas Serota, as funding portfolio for 2023-26 announced

The curator tell us about her favourite books, television shows and artists

Chicago activist’s structure will incorporate a church bell and oculus

Institution rebranded to Serpentine North last spring, but the controversial family name remained above the gallery entrance

The untimely death of the distinguished Tate Modern curator, who died last week at the age of 56, "leaves an enormous gap", writes former Tate director Nicholas Serota

We talk to museum innovators around the world who are taking climate action, from the art on the walls to the food on the restaurant menu

As a new show on opens at the Serpentine Galleries, the Haitian artist discusses his move away from racist 1960s New York and "decorative" late Abstract Expressionism