
Anny Shaw
Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art

Anny Shaw is a contributing art market editor at The Art Newspaper and author of Resist: Rebellion, Dissent & Protest in Art
French fair is a “one-off”, according to its founding director, though a good opportunity to “test the market”
Arts Council England launches second round of loans worth £100m with £300m grant applications to follow
Graphic work was last shown in the country nearly 30 years ago when women’s rights were also under attack
Owners are now considering how best to protect the work of a sneezing woman
Sales of paintings by Cézanne and Picasso worth a combined $139m are also under scrutiny by the US Virgin Island attorney general
The artist is paired with the Norwegian Expressionist Edvard Munch at the Royal Academy of Arts, and is showing new works at White Cube’s Mayfair gallery, as well as an installation for the online edition of Art Basel in Miami Beach
Chancellor Rishi Sunak announces slight boost to culture department's budget, but some institutions face extended closure under new tiered system
Zehra Doğan was imprisoned for nearly three years under terrorism charges for work of art shared on Twitter
Dokolo was buried at Brompton Cemetery in West London yesterday following his funeral at Westminster Cathedral
Social distancing rules have limited the number of people on film sets creating a movie production backlog
Summer crush expected with Art Basel’s flagship show in Switzerland still scheduled for June and Taipei Dangdai moved back to July
Frieze magazine publisher Rebecca Ann Siegel appointed director of Americas and content and will oversee the New York and Los Angeles fairs
The works are from the estate of the artist’s teenage “muse and model” Frédérique Tison, who was also his step-niece
After two-and-a-half years and $8m in legal costs, an agreement between the artist's estate and his long-time representative is on the table
Some dealers say they will continue to hold private viewings for buyers, while opening hours are extended in the West End tonight
Tributes pour in for “defender of African art”—who was also being investigated by Angolan authorities
Global director Victoria Siddall says it is a time “for creativity, flexibility and collaboration” as fair is reduced by more than two-thirds
As part of the deal, Roland and Jane Cowan acquired the faux Impressionist canvas from the artist—it sold last night at Sotheby's
Bénédicte Savoy—co-author of the Sarr-Savoy report that recommends France return its African artefacts—warns of "collective amnesia" over restitution debates that happened 40 years ago
Firm now plans to extend its lease after Long Museum buys huge Tu Hongtao painting on show in the new space
In the absence of the major fairs and auctions, Modern and contemporary African art is in the spotlight in London this week
Pickled sharks, medicine cabinets and spot paintings from the artist's own collection will go on show—although none are for sale
Andres Serrano tells us about his multifaceted portrait of the US president in book form, created from his archive of memorabilia
The latest virtual fair, OVR:2020, limits 100 galleries to showing six works each, all produced this year—we pick our highlights
The street artist opened a pop-up shop in Croydon last year in a bid to protect his image rights, but was found to have “acted in bad faith”
The Paris art fair had seemed defiant in the face of coronavirus but organisers say they could not “meet the legitimate expectations of its exhibitors”
Phoebe Saatchi Yates has collaborated with her husband and father to launch 10,000 sq ft Mayfair gallery focused on “unknown” artists
Covid-19 has forced galleries to cut staff by 33% on average as sales plummet 36% in the first half of 2020—and optimism is dwindling for next year
Museum will return loaned works and remove the retired dealer’s name from the building nearly three years after allegations of sexual harassment emerged
Survey by The Art Newspaper also reveals that the Serpentine and Barbican have been left in limbo while the Southbank Centre is already £20m in debt