Jason Edward Kaufman

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Knoedler donates photo archive to Frick

The contribution was in recognition of the Frick's role in hosting the gallery's anniversary show

Collectorsarchive

Collector profile: Raymond Nasher, the world’s biggest private collector of modern sculpture

The shopping-mall millionare has been wooed by museums all over the world, but Dallas looks set to benefit from generosity in the great American tradition

At home with Lovis Corinth

The artist’s daughter, now eighty-seven, reminisces about being painted by her father and life in Weimar Berlin

On Knoedler & Company's 150th anniversary, we remember the masterpieces that have graced their walls

This month, the New York gallery celebrates its sesquicentennial with an exhibition on its most famous paintings and clients

“Converging Cultures: art & identity in Spanish America”: a much anticipated exhibition

Four years late, the major show of Spanish colonial art and culture reveals the viceroyalties of New Spain and Peru produced during Spanish dominion

How fares the digital revolution: A look at the Corbis Corporation

We assess the benefits that have accrued to museums and publishers so far

Museumsarchive

Contemporary art worth $5 million donated to MoMA

The gift was made by New York millionairess Elaine Dannheisser, who says her collection contains “a lot of tough art”

Museumsarchive

Chicago’s answer to MoMA: Museum of Contemporary Art opens next month

Chicagoans have raised $55 million for this major new museum

Interviewarchive

The long and fruitful relationship between Picasso and portraiture: Interview with curator William Rubin

The Director Emeritus of the Museum of Modern Art, New York and leading Picasso scholar in American museums discusses the exhibition he has curated opening this month

Collectorsarchive

Collector profile: Abolala Soudavar – bibliophily in the blood

His great Persian manuscript paintings are now on loan to the Sackler

Elizabeth Murray curates MoMA exhibition of women Modernist artists

This feminist show is the fifth of the museum's artist-curated exhibitions drawn from the permanent collection

R.B. Kitajarchive

Kitaj retrospective finds sanctuary in the US after cyclone of abuse at Tate

University College, Oxford, has commissioned R.B. Kitaj to paint a portrait of President Clinton (a former Rhodes Scholar) for the school’s Great Hall, but the honour hardly compensates for the American expatriate's treatment at Tate

Kandinsky's "Compositions" – a connoisseur's show now on at MoMA

His huge struggles towards abstraction united as he never saw them

Museumsarchive

The centrepiece of The Baltimore Museum of Art's new wing for post-war art is a Warhol wonderland

It is the biggest display of Andy Warhol’s paintings outside the museum in Pittsburgh

Art marketarchive

FotoFest 94 emphasises global environment concerns

The Texas gathering is expected to attract as many as 50,000 visitors

Six-figure sum for Frida Kahlo’s journal

Abrams’s winning bid for 170-page illustrated diary

Giacometti retrospective to be held at New York's Acquavella Galleries Inc.

Acquavella's good name has guaranteed the participation of several distinguished lenders

Corporations favour political correctness

Arts sponsorship is increasingly associated with marketing concerns rather than disinterested corporate philanthropy

Collectorsarchive

“I still believe in the hand of the artist”: Interview with collector Eugene Thaw

The connoisseur, dealer, collector and patron of the Morgan Library discusses the importance of emotional impact, and how the art market has transformed since the start of his career

Museumsarchive

Houston's Museum of Fine Arts bucks the recession in Texas

The museum's endowment has grown to $157 million and a $50 million building by Raphael Moneo comes next

Leonardo Codex on the market

Autumn sale at Christie’s expected for the last manuscript by the artist in private hands — in 1980 it sold for £2 million

Museumsarchive

Hiring out the collection: the Whitney does, MoMA doesn’t

Collection leasing provides a fundraising alternative for some museums, and a surrogate permanent collection for others

ADAAarchive

The ADAA thirty years on: “We’ve cleaned up tax fraud, the selling of fakes, helped recover thefts, and supported freedom of expression”

As the Art Dealers Association of America’s annual Armory show drew to an end we talked to Gilbert Edelson, a founder member