José da Silva
José da Silva is the Exhibitions Editor of The Art Newspaper
Among the many official “collateral” exhibitions connected to the Biennale and independently organised shows, painting is noticeably abundant
The work will be in the Italian artist’s solo show and was recently celebrated in a “greatest hits” sculpture in the south of France
From Hillary Clinton’s emails in a supermarket and a beach of opera singers, to the world’s largest plane carrying “all of Ukraine’s artists”
From imperturbable colourful calm at White Cube Bermondsey to Mandy El-Sayegh's information overload at the Chisenhale Gallery
As Katie Paterson's sand castle project goes on tour, we look at how her Future Library is being made to outlive the artist
Including Old Masters, Contemporary, Post-Impressionist and Modern, and more
We asked museums for advice and The Art Newspaper team for their best hacks
Taiwanese museum has seen a significant decline in visitors since 2015, our Art's Most Popular research shows
Fashion continues upward trend in the US, shooting to the top of The Art Newspaper's chart, while the British Museum slips from the top spot in the UK
From Emma Kunz's powerful abstract drawings at the Serpentine Gallery to Mike Nelson's industrial sculptures at Tate Britain
From the collaborative creations of the Chicago Imagists at Goldsmiths CCA to the reopening of John Soane's Pitzhanger Manor
As the VIP preview of the Dutch fair opens, we select objects to suit every taste from the Classical to contemporary
Munich exhibition explores the experimental works of Georgiana Houghton, Hilma af Klint and Emma Kunz
From Henry Moore’s Helmet Heads at the Wallace Collection to Renaissance nudes at the Royal Academy of Arts
From the surreal sights of Dorothea Tanning at Tate Modern to the trompe l’oeils and Parisian scenes of Louis-Léopold Boilly at the National Gallery
A wave of innovative exhibition design has graced our museums in recent years. What are the keys to holding the viewer’s gaze?
From exquisite Elizabethan portrait miniatures at the National Portrait Gallery to Franz West's playful sculptures at Tate Modern
Moral painting of Venus and Cupid by the German Renaissance master shows the young god of desire being attacked by bees
From Diane Arbus's intimate portraits of street life at the Hayward Gallery to a window into the future at the Whitechapel Gallery
Exhibition at the Hayward Gallery uses a distinctive layout to encourage visitors to get up close to US photographer’s early 35mm works
From Don McCullin's powerful war photography at Tate Britain to a last chance to see Lorenzo Lotto's insightful portraits at the National Portrait Gallery
Two exhibitions to be held at the Rijksmuseum this year will provide a cohesive overview of Rembrandt’s life and work
From the dazzling dresses of Dior at the V&A to the grim reality of how architecture can affect your health at the Wellcome Collection
From Pierre Bonnard's colours-turned-up-to-11 at Tate Modern to Bill Viola's dust up with Michelangelo at the Royal Academy of Arts
From Grace Wales Bonner's group show at the Serpentine Sackler Gallery to a last chance to see Christian Marclay's The Clock at Tate Modern
From Condo’s gathering of 52 galleries to a last chance to take a dip into Elmgreen & Dragset’s world at the Whitechapel Gallery
Major Leonardo and Rembrandt anniversaries mean a wealth of shows focusing on the Old Masters, but Tintoretto, the Bauhaus or even Bill Viola could be dark horses
In 2018, curators turned into sleuths to track down works that belonged to some of history’s greatest—but often flawed—collectors
The people, places and things that had a year to remember—or to forget
The upper panel in the Accademia Carrara in Bergamo was only recently re-attributed to the Italian Renaissance master