Melanie Gerlis
Melanie Gerlis is the art market editor-at-large at The Art Newspaper and author of Art as an Investment
Loading...
Melanie Gerlis is the art market editor-at-large at The Art Newspaper and author of Art as an Investment
The artist will make his first trip back to the US since getting his passport back from Chinese authorities
Editions planned for Basel in June and London in October
Gallery is re-representing the artist and is staging a solo show at the fair
Dispute centred on differing regimes for collecting and dealing in works of art
Fair's deal with entertainment mega-agent could secure its future—but some still need convincing
Prospects are brighter for the world’s first art fair, which opens this week, thanks to its director Daniel Hug
The thoughtful fair has more to offer than Italy’s Postwar market darlings
This was one of the conclusions reached during the panel discussion Informing the Art World, held at the Tefaf Art Symposium in Maastricht on 11 March
Artists Mat Collishaw, Idris Khan and Gary Hume support new platform
One category no longer seen as sufficient to attract new buyers
US tax court’s valuation revision reduces estate taxes for heirs
Site of 2014 terrorist attack to reopen to public; director not deterred by this week’s massacre
Artist has made a work to support the Women’s Equality Party
Recently-discovered Rembrandt, a revamped first floor, the New York editions—and an unfolding authenticity scandal outside the fair—contributed to a buzzy opening
Annual Tefaf report shows 7% decline in a polarised market tilted toward the one-percent
Fair teams up with US advisory firm to launch two smaller editions in the US
Falcon Fine Art expands business that allows borrowers to keep their works
Chairman will take a six-month break before deciding what’s next
Decision by respected Impressionist and Modern art specialist, after 35 years of passion and loyalty, comes as a surprise
Dutch fair teams with US advisory firm to bring two more editions to the marketplace
Academic Olav Velthuis says growing a scene is “hard and tedious; but once it gets going it gets easier”
Auction houses rethink priorities amid global economic uncertainty
Gloves come off in fight to run international database of stolen works of art
