ArchiveMay 2009
The changing faces of Cindy Sherman
We speak to the chameleon-like photographer about her latest series, in which she becomes a string of fictional, surgically-enhanced socialites
ArchiveJanuary 2007
Jasper Johns: 'I was trying to see something, to see what seeing consisted of'
As the National Gallery of Art opens a show devoted to the artist’s work from the 1950s and 60s, he looks back on the decade and reflects on the process of making
ArchiveSeptember 1997
Robert Rauschenberg: 'Business sure screwed up the art world universally'
On the occasion of his Guggenheim retrospective, the artist talks about his globe-trotting approach to “the adventure of art”
ArchiveSeptember 2001
Jenny Holzer: towards the mot juste
The US artist on text being just one medium in her work and how trying to measure up to Goya can keep her motionless for months
ArchiveOctober 2003
Paula Rego: prints of darkness
After 40 years, the Portuguese-born artist is still surprised by the images she creates
ArchiveOctober 2011
Paul McCarthy: 'Artists are seen as one step above criminals'
The artist on his early B-movie ambitions, art schools, the pressure to move to New York and why he’ll never leave Los Angeles
Latest in Audio + Video interviews
Video | The Art Newspaper Live: Art in Your Ears—podcasting with Russell Tovey, Robert Diament and Ben Luke
Video | The Art Newspaper Live: Funding Matters
Exclusive: Marina Abramovic on performance art post-pandemic
Shirin Neshat on why Frida Kahlo is one of her favourite artists
Tschabalala Self and radical figurative painting
Turner Prize shocker: what next? Plus, Teresita Fernández in Miami
Anselm Kiefer on why size matters
Anselm Kiefer interview. Plus, New York auction 'gigaweek'
Dread Scott’s slave revolt reenactment. Plus, Pre-Raphaelite Sisters
Agnes Denes: environmental art pioneer. Plus, Rembrandt-Velázquez and De Hooch
Frieze week: Ai Weiwei, Mark Bradford, Peter Doig, Melanie Gerlis, Hettie Judah
Top of the Pods: video artists in the spotlight
Ibrahim Mahama's ghosts of Ghana. Plus, China's epic Picasso show
Art Basel and William Kentridge
How Dada inspired William Kentridge’s The Head and the Load
Painting, identity and injustice: Howardena Pindell and Oscar Murillo
The rise of the mega-dealers, plus artists take over the Guggenheim
David Hockney: exclusive interview with the world's most expensive living artist
Frieze special: the fair and the top shows, with Doris Salcedo and Ragnar Kjartansson
Van Gogh in the asylum. Plus, Christian Marclay on The Clock
Podcast episode 37: Art and football plus John Akomfrah interview
ArchiveJune 1992
Just what is it that makes Richard Hamilton so different, so appealing?
The artist gives a rare interview ahead of his Tate Gallery retrospective, weighing in on Pop Art and the Pop revival and the need for quality judgements in art and consumer society
ArchiveSeptember 2001
Luc Tymans: on pigeon power
Belgium's representative at this year's Venice Biennale explains why pigeons are not symbols of peace, how he depicts violence without actually showing it and why he returned to painting
ArchiveSeptember 2012
Inside the house that Theaster Gates built
Rising art star and activist Theaster Gates is transforming his Chicago neighbourhood, one building at a time
ArchiveMarch 2011
Lynda Benglis: not a material girl
The artist on the 1970s feminist movement, unsolicited opportunities and that legendary Artforum advert
ArchiveJune 1994
R.B. Kitaj: 'I begin my working day by falling asleep in front of my easel'
The American artist, who has lived in Britain for the past 35 years, is celebrated with a large exhibition at the Tate
ArchiveMarch 2012
Andrea Fraser: exposing the art world from within
From mock guided tours to a sexual encounter with a collector, the US artist's work is a unique form of institutional critique
Latest in Artist interview
A brush with... Doris Salcedo
A brush with... Ali Banisadr
A brush with... Julie Mehretu
The results are in: the real impact of Covid-19 on the art market
Who is Beeple? The art world disruptor at the heart of the NFT boom
A brush with... Tala Madani
A brush with... Charles Gaines
A brush with... Tracey Rose
Marlon James, David Hammons and Hamilton the Musical: artist Hurvin Anderson on his cultural influences
A brush with... Rachel Whiteread
Genghis Khan, Watteau and the Bible: Josh Smith on his biggest cultural influences
A brush with... Roni Horn
A brush with... Christina Quarles
'I’m excited to know that what I’ve made has physically never been made before': Jennifer Packer's extrasensory paintings come to London
A brush with... Ragnar Kjartansson
'Instagram makes you feel part of the art world—but it's a lie': artist Rachel de Joode on art and the digital
How to build the next American president
Smartphones, Foucault and anti-fascist tapestries: Elmgreen and Dragset on their biggest cultural influences
Marina Abramovic TV: five-hour takeover will teach you everything you need to know about performance art
What does the Philip Guston delay tell us about museums and race?
Frieze: the show goes on. Plus, Theaster Gates
Donald Trump, the brand: a history of the real estate tycoon turned US president in 1,000 objects
Caravaggio used a camera? David Hockney's controversial claim reframes narrative of Western art history
Tavares Strachan: 'I grew up not feeling empowered by art'
Who is the most famous US artist of the 20th century? David Hockney explains his choice
Ai Weiwei: If you do not question Chinese power, you are complicit with it—that goes for art organisations too
‘There might be another life after death’: David Hockney on mortality
A brush with... Rashid Johnson
A brush with... Chantal Joffe
An-My Lê: ‘Landscape is not a narrow category—it is a source of surprise’
A brush with... Jenny Saville
Attracted to the uncaptured: David Hockney on how he chooses his subjects
A brush with... Michael Armitage
Theaster Gates, Jasper Johns, Cindy Sherman: the best of artist interviews over the past 30 years
YouTube, Nietzsche and the Vietnam War: George Condo on his biggest cultural influences
Exclusive: Marina Abramovic on performance art post-pandemic
Eva and Franco Mattes: ‘Technology does not create the social problems we so often criticise’
David Shrigley in lockdown: 500 pieces of paper, walking the dog but not drinking 60 bottles of champagne
Annabel Daou will take on your worries in a 12-hour durational performance
'Galleries are not for me’: Imran Perretta on state surveillance and his difficult relationship with art spaces
A brush with... Sterling Ruby
Shirin Neshat on why Frida Kahlo is one of her favourite artists
A brush with... Tomás Saraceno
‘At 99, I’m another person entirely’: Luchita Hurtado on fossil fuels and new challenges ahead
Tschabalala Self: 'what information is needed for one’s body to become gendered and racialised?'
The story of a fake Gauguin at the Getty
Capturing the streets: the Lebanese revolution through the eyes of an artist
A brush with... Gillian Wearing
‘I mix the paint with rainwater, mud and fish glue': Vivian Suter on being back in the limelight after 30 years in rural Guatemala
Teresita Fernández, an artist of place, brings her art home to Miami
Interview with Pepe Mar on his work safeguarding queer histories
Valie Export: ‘Female artists are disadvantaged because the market is determined by men’
A brush with... Paula Rego
Anselm Kiefer on why size matters
‘Public art is propaganda, frankly’: Hank Willis Thomas discusses gun violence and the urgent need for alternative memorials
‘This US government looks more like Iran's every day’: Shirin Neshat talks about the power of political satire ahead of LA show
Mark Bradford addresses modern-day xenophobia through Greek mythology and a Motown classic
Mark Leckey on using Victorian techniques to evoke magical memories
'I'm drawn to contradictions': Danh Vo on why his London show includes work by the professor who told him to give up art
Frieze week: Ai Weiwei, Mark Bradford, Peter Doig, Melanie Gerlis, Hettie Judah
'Artists have to be good citizens': Himali Singh Soin on Brexit, climate change and the alien other
Elizabeth Peyton on Kurt Cobain, the Twilight films and painting a museum director in his shorts
Trevor Paglen on questioning the intelligence of AI
Thomas Struth on being taught by Gerhard Richter and how he almost cancelled his Guggenheim Bilbao show
'It’s our intervention that causes the mayhem': Kiki Smith on work, wandering and the wonders of nature
Native American artist Santiago X on rebuilding Indigenous cities, one mound at a time
'Art's most high-profile provocateur' Maurizio Cattelan on his new Blenheim Palace show
Top of the Pods: video artists in the spotlight
Lars Vilks: “Censorship is based on fear, not sensitivities towards ethnic minorities”
Interview with Sean Landers: Appropriating Picasso “because I want to be as great as him”
Turner Prize nominee Helen Cammock on Baroque music and marginalised histories
Ibrahim Mahama's ghosts of Ghana. Plus, China's epic Picasso show
Interview: Lawrence Abu Hamdan—a self-styled 'private ear'
How Dada inspired William Kentridge’s The Head and the Load
Interview: Andrea Bowers discusses power dynamics post #MeToo
Book excerpt: William Kentridge reveals how Antoine Bourdelle inspired his work
Interview: William Kentridge on his life lessons
Cheryl Pope on love, representation and the comfort of textile art
Interview: Pauline Boudry and Renate Lorenz on dancing in the Swiss pavilion
Painting, identity and injustice: Howardena Pindell and Oscar Murillo
Faith Ringgold discusses civil rights and children's books in solo London show
An artist’s memories of Tiananmen Square
The rise of the mega-dealers, plus artists take over the Guggenheim
Harold Ancart on the art of handball
In pictures: first look at Damien Hirst's new blossom paintings
Blossoming artist: Damien Hirst on returning to the studio, fluorescent florals and the 'muppets' in government
Lauren Halsey brings the spirit of South Central LA to Frieze New York
Simone Leigh, now in the spotlight, contemplates the theme of invisibility
Luc Tuymans: ‘People are becoming more and more stupid, insanely stupid’
Hew Locke discusses monarchy and model boats in new survey show at Ikon Gallery
Exclusive interview: photographer Shahidul Alam speaks out about prison, being tortured and the human rights situation in Bangladesh
What to buy at Frieze Los Angeles? Lisa Anne Auerbach offers psychic art advice
Max Hooper Schneider: 'my fantasy army of marine-mammal people, across all genders'
Tracey Emin on mourning and #MeToo; George Shaw on realism and Rembrandt
Linder: scalpel-sharp dissections of society
Don McCullin on why he is showing at Tate Britain even though he is ‘not an artist’
Theaster Gates on how his new show was inspired by the eviction of 45 people from an island in Maine
Back to basics: Michael Craig-Martin on his new show in Windsor (Florida)
Bill Fontana: Miami sound machine
Elizabeth Price: Mining a rich seam of creativity
NewsArchives
Theaster Gates, Jasper Johns, Cindy Sherman: the best of artist interviews over the past 30 years
The Art Newspaper's Review editor Ben Luke picks his favourites from the archive
ArchiveNovember 2001
Ghada Amer: when Islam was sensual
The Egyptian artist draws on a Medieval Muslim erotic text to create her hand-stitched works